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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
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    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
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    • Practical Information
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    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
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    • Career Discovery Visit
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    • ManiFeste-2022, the Academy
  • Innovations

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  • Twist








Fri 7 June 2019,
8:30 p.m.
Cité de la musique
Salle des concerts
Downloads

programme_twist.pdf

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Full : 18 €
Discount Price : 15.30 €
ManiFeste & Young Cards : 10 €

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Creation
Concert






Twist

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Iannis Xenakis shook up musical writing of sound masses in his orchestral masterpieces—all too rarely played—such as Lichens. His compositional techniques, associated with mathematics (probability theory, games, and ensembles), also apply to Nomos Alpha for solo cello, a virtuoso prototype that makes extensive use of riddles.

From Varèse to Xenakis, a genealogical concert on Art-Science vision. Marked by the sonic energy of Xenakis, Franck Bedrossian expands the orchestral territory with the introduction of electronics. Distortion of the instrumental hierarchy, electrification of timbres, presence in the orchestra of “foreign” instruments like a hidden jazz group, Twist takes advantage of fusion as fragmentation in a never-ending game of permutation.

Éric Levionnois cello
Orchestre Philharmonique de Radio France
Brad Lubman conductor
Robin Meier IRCAM computer music design

IANNIS XENAKIS NOMOS ALPHA
FRANCK BEDROSSIAN TWIST French Premiere
EDGARD VARÈSE POÈME ÉLECTRONIQUE
IANNIS XENAKIS LICHENS

______

Before the Concert, 7pm  | Amphithéâtre – Cité de la musique

Encounter with Franck Bedrossian.
Free entry, limited seats available.

Edit
Concert recorded by France Musique and broadcasted on June 12th at 8pm in "Le Concert du soir". An IRCAM-Centre Pompidou, Radio France, Philharmonie de Paris coproduction.
  • iannis Xenakis  © Delogu
    iannis Xenakis © Delogu
  • Franck Bedrossian lors de l'académie du festival ManiFeste-2018  © Ircam, photo : Quentin Chevrier
    Franck Bedrossian lors de l'académie du festival ManiFeste-2018 © Ircam, photo : Quentin Chevrier
  • L'Orchestre philharmonique de Radio France  © Jean-François Leclerq
    L'Orchestre philharmonique de Radio France © Jean-François Leclerq

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From Varese to Xenakis, through the creation of Franck Bedrossian, this genealogical concert around the vision of Art-Science was realized as part of the ManiFeste-2019 festival.
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