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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Sheng! L'orgue à bouche - séminaire 20








Fri 10 May 2024,
2:30 p.m.- 5 p.m.
Ircam
salle Stravinsky
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Free entry, limited seats available

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Encounter






Sheng! L'orgue à bouche - séminaire 20

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Forest of Bamboos - Ornithology
Julie Zhu, Alexis Baskind, Wu Wei and Liao Lin-Ni


The Forest of Bamboos - Ornithology project concerns acoustic, organological, musical and cultural analyses on the sheng! Mouth Organ (2019-2026), a traditional Chinese instrument, and additionally supports contemporary repertoire and new commissions for the sheng. In Ornithology, we are once again inviting the Chinese-American composer - Julie Zhu (carillonnist, mathematician, visual artist) for a second commission following her work Forêt de Bambous - Somme et Différence, commissioned, recorded, and broadcast by Radio France and CNCM-GMEM in 2023.

This new 2024 work pairs the sheng with an instrument the composer designed herself: a wooden box outfitted with contact mics that she draws on, the sound of which is processed through Max/MSP. Her live drawing gestures duet with and alter the sheng’s sound, which is amplified by a custom microphone system - a hybrid instrument designed by Alexis Baskind (electronics and live sound) and Wu Wei (sheng master).

In this seminar, we will focus on the musical, aesthetic and technological evolution of this second work by Julie Zhu for the Forest of Bamboos system. The project is intricately linked with previous research on the amplification and sound of the sheng created by the Forest of Bamboos team, and for this seminar, all four members will be physically present, as the seminar will be directly the day after the premiere of Ornithology.

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Coproduction: CNCM-GMEM and Tout Pour la Musique Contemporaine (TPMC) The project is supported by: DRAC Provence-Alpes-Côte d'Azur, CNCM-GMEM, Ircam, Maison de la Musique Contemporaine and University of Michigan

Prochain séminaire

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Research

Sheng! L'orgue à bouche #21

Friday 31 May 2024
Ircam
shō Master - Mayumi Miyata, with Mikako Mizuno and Wataru Miyakawa (composers et musicologists)
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