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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Sheng! L'orgue à bouche - 18th seminar








Thu 11 May 2023,
2:30 p.m.- 5:30 p.m.
Ircam
salle Stravinsky
Prices

Free entry, limited seats available

Broadcast live on Ircam's YouTube channel

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Free entry

Research
Encounter






Sheng! L'orgue à bouche - 18th seminar

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Les langages musicaux inspirés du shō chez Tōru Takemitsu et Toshio Hosokawa
with Wataru Miyakawa (Meiji University)

This seminar aims to investigate the relationship between the shō mouth organ and the musical languages of Tōru Takemitsu and Toshio Hosokawa.
The shō is an instrument that has fascinated many Japanese composers, including Takemitsu and Hosokawa. Both composers composed for shō, but they also developed musical languages based on the sound of this instrument. More specifically, aitake (harmonies played by the shō in classical gagaku) is an important element in the development of their harmonic languages. From this point of view, Landscape (1960) for string quartet and The Dorian Horizon (1966) for seventeen strings are Takemitsu's two most important works, as one of the fundamental ideas of these works lies in the simulation of the shō by the string instruments. Hosokawa's use of the shō-influenced harmonic language is more systematized, as in most of his works he uses the 'mother chord' that he devised based on both the sound of the aitake and the work of Anton Webern.

Inspiration and practice brought about to my compositions for traditional 37-reed soprano Sheng by the multi-cultural society of Asia and modern music of the West
with Chong Kee Yong 鍾啟榮 (composer)

After years of exposing myself to both Eastern and Western cultures, I have gradually found the music world of my own. My experience of studying in Europe for years offered me a different perspective to look into the eastern culture that is familiar yet negligible at times.

A large number of master pieces from East and West inspired me to respect and learn from traditional art and cultures so that I could compose music in my own way which covers new interpretation but nevertheless, still carries my own traditional elements. Many of my works emphasizes on the melodic and narrative natures of Asian music. So in my lecture, I will be talking about several of my works which I composed for 37-reed Sheng through many years of the close collaboration and specially composed for Sheng maestro Mr. Wu Wei. In these works which is show the originality, various Asia traditional multi-cultural elements, and how I carry forward the drama, philosophy, etiquette and spirit of the traditional music.

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Co-Organisation: TPMC – Tout Pour la Musique Contemporaine - IRCAM. Partners : IReMus – Institut de Recherche en Musicologie, CNRS, Sorbonne Université, DRAC Ile-de-France and Meiji University.

Prochain séminaire

Encounter
Innovations
Free entry

Sheng! L'orgue à bouche - 19th seminar

Thursday 1 June 2023
Ircam
Forest of bamboos - Sum and difference
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