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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Awakening Through Sound - Rethinking Sound Mediation in the Digital Age








Wed 13 November 2024,
1:30 p.m.- 6 p.m.
Ircam
salle Stravinsky

Free entry, on reservation

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Awakening Through Sound - Rethinking Sound Mediation in the Digital Age

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To mark UNESCO's International World Children's Day, IRCAM is throwing open the doors of creativity to children and their families, as well as to professionals working in the fields of education and childhood.

Today, the use of digital technology by children raises many questions. At the same time, it can be a formidable source of inventiveness, stimulating artistic and cultural awakening and education from an early age. Digital technology is not necessarily limited to screens, as there are many interactive devices that sharpen the sensory-motor skills, imagination, and creativity of young people, while at the same time nurturing their critical thinking skills.

For these two days, IRCAM is offering a series of conferences, discussions, and workshops designed to explore the creative uses of digital technology, and making the tools developed by its research teams, in partnership with other researchers, creators and practitioners, available to all.

Organized by the STMS laboratory's Interaction Sound Music Movement and Sound Analysis and Synthesis teams, and IRCAM's Cultural Action department:
Moderator Marion Voillot

Frédéric Bevilacqua research director and head of the STMS joint laboratory's Sound Music Motion Interaction team at IRCAM
Nicolas Obin lecturer at Sorbonne University's Faculty of Science and Engineering and researcher in the Sound Analysis and Synthesis team at IRCAM's STMS joint laboratory

With the support of Aline Foriel-Destezet

Intended as a series of interactive exchanges, this afternoon is an opportunity for education professionals to discover a series of applied research projects that explore the potential of digital technology to develop children's learning, creativity, and imagination through a multi-sensory approach: listening, touching, and meditating on sound will be at the heart of our discussions.

Program

1:30pm | Welcome and introductory remarks

1:30 - 2:30pm | Round Table #1: Listen to Speak

Muriel Colagrande interaction designer and founder of OVAOM
Laurianne Cabrera researcher in developmental sciences, assigned to the Integrative Neuroscience & Cognition Center (INCC) at Université Paris Cité
Samuel Delalez speech synthesis researcher at Lunii

2.30-2.50pm | Speed Presentations

Jérôme Sackur researcher at the Laboratoire des Sciences Cognitives et Psycholinguistiques: ExoVoice
Pierrick Pedron sound designer: SPEAK

2.50-3.50pm | Round Table #2: Touch or Be Touched by Sound

Frédéric Bevilacqua research director and head of the Interaction son musique mouvement team at IRCAM's STMS joint laboratory: From listening to playing: tangible and sonic interfaces.
Rana Esseily professor of Developmental Psychology, Université Paris Nanterre
Matthieu Savary designer, maker, founder of Smallab Collective
Indiana Wollman neuroscientist, head of research at the Cité de la musique - Philharmonie de Paris and at the Sorbonne Nouvelle University, CERLIS (Centre de Recherche des Liens Sociaux

Break

4.20-4.30pm | Speed Projects

Marion Voillot architect and designer: CoMo•education

4.30-5.30pm | Round Table #3: Mediating Sound

Zoé Aegerter designer, independent researcher and founder of Les Causeuses studio
Clotilde Chevet associate researcher at GRIPIC-Sorbonne University, SCAI project manager, contributor to Les Causeuses
Emmanuel Ethis professor in Information and Communication Sciences, HDR researcher, in charge of thesis management at the Institut National Supérieur de l'Éducation Artistique et Culturelle - Conservatoire National des Arts et Métiers (CNAM) - Laboratoire Dicen-idf (EA7339)
Damien Malinas lecturer in Information and Communication Sciences at the Institut National Supérieur de l'Éducation Artistique et Culturelle - Conservatoire National des Arts et Métiers (CNAM) - Laboratoire Dicen-idf (EA7339)
Nicolas Obin  lecturer at Sorbonne University's, and researcher in the Sound Analysis and Synthesis team at IRCAM's STMS joint laboratory
Raphaël Roth lecturer in Information and Communication Sciences at the Conservatoire National des Arts et Métiers (CNAM) - Institut National Supérieur de l'Éducation Artistique et Culturelle - Conservatoire National des Arts et Métiers (CNAM) - Laboratoire Dicen-idf (EA7339)
Eloi Savatier cultural mediator at IRCAM and doctoral student at the Maison de la Musique Contemporaine (MMC)  and at the université Sorbonne Nouvelle, CERLIS (Centre de Recherche des Liens Sociaux)

5.40-6pm | Discussion and conclusion

This event is supported in part by the EXOVOICES project (ANR-21-CE23-0040) “Lecture Virtuelle d'Histoires pour Enfants : Aspects Expressifs et Cognitifs de la Voix de Synthèse” funded by the French National Research Agency.

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Awakening Through Sound - Rethinking Sound Mediation in the Digital Age

Saturday 23 November 2024
Ircam
Conferences and workshops for children and families
Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
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