• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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February 23 through Mon 25 April 2022,
11 a.m.- 9 p.m.
Centre Pompidou
Galerie 4

Free entry with a ticket “Museum and Exhibitions” from the Centre Pompidou.

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Creation
Exhibit






Réseaux-Mondes

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A part of Mutations-Créations 5
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Everything is a network. This exhibition will bring together some sixty artists, architects, and designers. It will question the place of the network in today's society, dominated by social networks and the dematerialization of the virtual network itself. More than ever, the network, in the age of the Internet—this "network of networks"—is at the heart of technological changes and societal issues (surveillance society, omnipresence of social networks, atomization of the individual, actor-network). But the initial network is also that of the living, which links species together, generating new forms of "connections".

Marie-Ange Brayer curator, Musée national d'art moderne/Centre de création industrielle-Centre Pompidou, head of the Design et prospective industrielle service, Olivier Zeitoun assistant curator Musée national d'art moderne/Centre de création industrielle-Centre Pompidou

Făbrĭca

Făbrĭca (from the Latin word meaning workshop but also the action of working, making, doing, producing) is a virtual musical space designed by composer Giulia Lorusso, computer music designer Benjamin Lévy, and graphic designer Giovanni Muzio. They invite the public at the exhibition "Réseaux-Mondes" to navigate freely through this three-dimensional graphic universe that links musical development and movement through space. By tracing their own journey online, visitors compose the relationships between the sound elements and the visual architectures and thereby determine the evolution of the musical discourse.

Produced during different lockdowns and premiered in concert in 2021 by the ensemble C Barré, Făbrĭca explores the ideas of a work-process, of a collaborative work carried out remotely, of sharing the role of author, of performer, of audience,a nd of a non-linear musical discourse.

A virtual musical experience – premiere 2022

Giulia Lorusso music
commissioned by IRCAM-Centre Pompidou and the GMEM – Centre national de création musicale
Benjamin Lévy IRCAM computer music design
Giovanni Muzio graphic design

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  • https://www.centrepompidou.fr/fr/
A Musée national d'art moderne/Centre de création industrielle-Centre Pompidou production.

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Listen to the concert "Mécaniques de l’intuition"

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Performed on March 18, 2021 at the Centre Pompidou, this concert pushes the limits of orchestration through the exploration of fixed electronics, real-time, and artificiel intelligence. Listen and wa…
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Creation

Fabrica, a Virtual Music Experience

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La compositrice Giulia Lorusso et le réalisateur en informatique musicale Benjamin Lévy invitent le public à explorer librement, en ligne, l’espace musical virtuel qu'ils o…
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