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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Projection of the film “Georges Aperghis, Un mot d'après l’autre"








Sat 31 January 2026,
4 p.m., and
5 p.m.
Ircam
salle Stravinsky

Free, reservation required

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Projection of the film “Georges Aperghis, Un mot d'après l’autre"

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Georges Aperghis was born in 1945 in Athens, into an artist family. In 1963, he decided to move to Paris. Together with the actress Édith Scob, who would later become his wife, he discovered the world of theatre. Beginning in the 1970s, the composer created many works that contributed to the emergence of 'musical theater', a field in which he could give full scope to his boundless creativity.

In 1976, he gave this social and political commitment concrete form by founding ATEM (Atelier Théâtre et Musique) in Bagnolet. Varied in form and spirit, his lyrical work draws as much on his explorations of text (and the development of a contemporary recitative) as on his close collaboration with a chosen family of performers: actors, instrumentalists, vocalists. Fond of leading audiences down false trails, Georges Aperghis also enjoys engaging with other artistic forms, such as dance and the visual arts. Like an acrobat on a tightrope, he constantly takes risks, multiplying projects and creations in collaboration with some of the finest ensembles in Europe.

Today, Georges Aperghis is able to bring together the different pieces of his artistic puzzle into a poetic fabric that relies on the deconstruction of language to reconstruct a new sonic object—diverted, recomposed. This utopia, which calls upon a collective dream of democracy, draws equally on the instrumental forces of ensemble and orchestra and on the most advanced technologies.

The film follows the creation of his most recent work, Selfie in the Dark, dedicated to his wife Édith Scob. A self-portrait within a portrait, Un mot d'après l’autre takes us into the ever-active world of Georges Aperghis. From concerts to rehearsals, we discover the breadth of his creations and their striking originality.

Un mot d'après l’autre  recounts his encounters, his work, his life. It is a music documentary made with others and for others.

Georges Aperghis Un mot d'après l’autre

Production Mélisande films, Sophie Faudel & Mémoire Magnétique productions, Éric Darmon
 Éric Darmon Direction and cinematography
Clotilde Maupin Editing and graphic design
Interview conducted by Arnaud Merlin, 54 minutes, 2025

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Photo : Georges Aperghis © Radio France / Christophe Abramowitz

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Festival Présences : Avant-première

Saturday 31 January 2026
Ircam
Premieres by Georges Aperghis and Sofia Avramidou
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