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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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    • Ircam Amplify
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  • Festival Présences : Avant-première








Sat 31 January 2026,
8 p.m.
Ircam
Espace de projection
Prices

Full : 18 €
Discount Price : 14 €
IRCAM Pass : 10 €
Youth Pass : 8 €

Durée du concert
1h10 environ

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Creation
Concert






Festival Présences : Avant-première

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Présences 2025 celebrates Georges Aperghis, a longtime collaborator of IRCAM and a pioneer of musical theater. Known for his wild mechanisms and multiple narrative engines, Aperghis unveils Trompe-oreilles , a new work featuring trumpeter Marco Blaauw, surrounded by a chorus of animal and electronic entities. Voice remains essential in his work and also resonates in a new piece by composer and vocalist Sofia Avramidou.

Donatienne Michel-Dansac soprano*
Sofia Avramidou
voice**
Marco Blaauw trumpet
Ninon Hannecart-Segal piano
Nicolas Crosse double bass
Rémi Le Taillandier*, Dionysios Papanikolaou** IRCAM electronics

Georges Aperghis Pubs / Rekamen (extraits) *
Dans le mur **
Trompe-oreilles  - Premiere 2026
Commissioned by Radio France and IRCAM
Sofia Avramidou Dimorphos Delta / folk song 7 - Premiere 2026
Commissioned by Radio France and IRCAM

Pre-concert

  Screening of the documentary Georges Aperghis, un regard sur le monde by Éric Darmon and Arnaud Merlin, 5 PM, salle Stravinsky
  Le Pari de l’œuvre — Georges Aperghis: Luna Park, 7 PM, salle Stravinsky

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Co-production: Radio France, IRCAM–Centre Pompidou. Concert recorded by France Musique.
  • Le compositeur Georges Aperghis  None
    Le compositeur Georges Aperghis
  • La compositrice Sofia Avramidou  © Caroline Doutre
    La compositrice Sofia Avramidou © Caroline Doutre

Related to

Encounter
Creation
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Projection of the film “Georges Aperghis, Un mot d'après l’autre"

Saturday 31 January 2026
Ircam
Film about the creation of his latest work, Selfie in the Dark, dedicated to his wife Édith Scob
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