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POETICA
Chaya Czernorwin's music leaves a lasting imprint on the memory of those who hear and see it on either musical or operatic stages, through the power and precision of the sound images it generates. Spanning a full evening, POETICA builds a "palace of memory" whose foundation is the relationship between soloist Steven Schick, the four percussionists, and the string trio, with electronics playing an active part in the process.
The palace's three floors are circumscribed by loudspeakers. On the first floor, the soloist is the initiator, building a massive suspended ensemble with the other protagonists until a catastrophe destroys everything. The second floor is devoted to movement and modulation, to distorted memories and sometimes consoling oblivion. The last floor unfolds throughout the room, but also seems to come from outside and far away. The space has become a mobile network whose configuration varies. We have entered the dream of a fluid reality, a new modality of communication and sound transmission.
Steven Schick percussions and voice
Les Percussions de Strasbourg
François Papirer, Enrico Pedicone, Thibaut Weber, Olivia Martin performers
Catinblack (recording)
Chaya Czernowin, Carlo Laurenzi IRCAM electronics
Clément Cerles IRCAMsound diffusion
Chaya Czernowin POETICA, commissioned by IRCAM-Centre Pompidou, Hellerau European Centre for the Arts, Monday Evening Concerts, Brenda et Steven Schick, et des Percussions de Strasbourg, french premiere
The Espace de projection, which has the architectural distinction of being built 16 meters below the place Stravinksy, is not accessible to people with reduced mobility.
We apologize for any inconvenience.
