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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • OpenMusic in English [online]








December 1 through Fri 2 December 2022,
and
December 14 through Thu 15 December 2022,
2 p.m.- 5 p.m.
Language

English

Level

Beginner

Prices

500 €

practical information

Edit
Transmission
Software Training






OpenMusic in English [online]

Edit






Discover Computer-Assisted Composition – From Calculations to Music
Edit






OpenMusic is a graphical programming environment intended to assist the composer.

Objectives

This course introduces participants to the use of a graphical programming environment in the context of a composer's activity. It proposes the discovery and the use of the OpenMusic interface, the creation of patches with the use of musical editors, the algorithmic generation of musical sequences, an initiation to musical formalization and the use of models used in the music of the 20th and 21st centuries.

Public

Composers, musicians, teachers and any person interested in computer-assisted composition

Prerequisites


Knowledge of music theory, participants must be able to notes and rhythms.
Basic knowledge of mathematics: arithmetic, geometry (triangles, Pythagorean and Thales theories, symmetry, airs), understanding of powers, equations with a variable, statistics, etc.
Mastery of Macintosh computers (OS X)

Educational Resources and Techniques

This professional training class will be taught online
Technical requirements: Participants should download OpenMusic prior to training
For best results, please use two screens for this class
Class Format: Class is taught in English. Training alternates between presentations, explanations on theory, studying examples to analyze, and hands-on exercises
Didactic Materials: presentations. A class guide will be given at the beginning of each training session and all complementary files will be given as needed

Supervision and Assessment

A technical session will be held beforehand to ensure all participants have the necessary equipment.
Attendance controlled; signature of an attendance sheet required every morning and afternoon
Assessment of knowledge and skills during exercises and in the form of a multiple-choice test. The evaluation will also take into account the individual exercise.
Delivery of a certificate of achievement, which includes the results of the evaluation

Training Period and Organization

12 hours of training, 4 half-days from 2:00 pm to 5:00 pm: December 1, 2, 14, 15, 2022
Online Class, In English
8 students maximum

Edit

Program

The course is organized in two sessions of two afternoons. After the first two days, participants will carry out a small exercise (to be done alone) to tackle the formalization problems learned during the course. These issues will then be analyzed and corrected collectively at the beginning of the third day.

Thursday, December 1

Audio-MIDI configuration
Preferences & external synthesizers
Discovering and using the OpenMusic interface (Workspace, Listener, and patches)
Creation of patches, the main data types
Introduction to the formalization

Friday, December 2

The different types of musical notation in OM, proportional notation and metric notation (<chord>, <chord-seq>, <voice>, <multi-seq>, <poly>)
Control of various musical parameters
Construction of chords
Algorithmic generation of musical sequences
Formalization exercises

Wednesday, December 14

Analysis and correction of individual exercises
Iteration, introduction to <omloop>
Repetition, reversal, symmetries, concatenation and superposition.
From monophony to polyphony
Process control from BPF

Thursday, December 15

<omloop>: revision and deepening (<listloop>, <forloop>, <onlistloop>, <while>)
Introduction to formalization
The harmonic series, use of spectral analysis for writing, ring modulation, amplitude modulation, etc. from spectral music
Formalization exercises

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Monday through Friday 9:30am-7pm Closed Saturday and Sunday
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