• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
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    • Analysis of Musical Practices
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    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
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    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
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    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
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  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
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    • Collaboratory Cine-concert - Percussion and electronics
    • Auditors
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
    • Solo and amplification
    • Collaboratory Cine-concert - Percussion and electronics
    • Auditors
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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    • Ircam Amplify
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  • Max initiation / Max certification level 1








February 12 through Sat 17 February 2018,
10 a.m.- 5:30 p.m.
Ircam
salle Nono
Language

French

Level

Beginner

Prices

Full price : 1500 €

COMPLET

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Transmission
Software Training






Max initiation / Max certification level 1

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Session 2 - Learn the basics of programming in Max
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Max is a graphical programming language that lets users process, generate, interact with Midi data in audio and video contents as well as all other types of data, for example from sensors.

Objectives

Upon completion of this course, participants will acquire the knowledge necessary to make simple patches. They will be able to Identify the means necessary to create a project using Max.

The training will be followed by an exam for the Max certification level.

Public

Any creative person who wants to work on a project requiring Max: composers, developers, performers, sound technicians, choreographers, sound creators, video artists, live coders, music or art teachers, makers, etc.

Prerequisites


Mastery of a sequencer software program such as Pro Tools, Logic Pro X, or another digital audio editing program (e.g. WaveLab, SoundStudio, Adobe Audition);
Good understanding of the English vocabulary used in the software;
Mastery of the basic functions of a Macintosh computer (use of a keyboard and mouse, create and manage files and folders, use menus, launch an application).

Prior to the training, it is highly recommended participants download the software and test the demo mode (30 days with all functions available) and do all the included software.

Assessment

Certification exam for Max, level 1 taken at the end of training.

Certification listed on the CNCP (Commission Nationale de la Formation Professionnelle) inventory. The fiche is available in French. The certification is eligible for the personal training account (compte personnelle de formation) for workers in the entertainment industry and employees in the live performance branch (code CPF : 190671) and the audiovisual branch (code CPF : 189700).
3 hours // Saturday, February 17, 2018, 2:30pm-5:30pm

Practical Information

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Program

Monday

MorningGeneral presentation of the Max environment;
Types of objects, types of data.
AfternoonImportance of the order of execution: the object trigger;
Simple interactions with a MIDI keyboard.

Tuesday

MorningIntroduction to MIDI data and managing sequences;
Creation of a random MIDI machine.
AfternoonIntroduction to audio in Max;
Creation of a small sampler of sound files played from a keyboard.

Wednesday

MorningControl synthesis using envelopes.
AfternoonReceive data from an external controller (iPad, iPhone);
Play a video, understand Jitter matrixes.

Thursday

MorningAnalyze audio streams and extract pertinent information using simple modules.
AfternoonRecord and manipulate reading sounds from a buffer.

Friday

MorningModular organization of a patch.
AfternoonSimple audio processing techniques.

Saturday

MorningManage data external to Max: external libraries.
AfternoonExam for Max certification level 1

Go Further

Software Train…
Transmission

Max Intermediate / Max certification level 2

26 March to 31 March 2018
Ircam
Session 2 - Improve your knowledge and mastery of Max
Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
Opening times

Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles
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