• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
    • Solo and amplification
    • Collaboratory Cine-concert - Percussion and electronics
    • Auditors
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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Thu 5 March 2020,
8:30 p.m.
Centre Pompidou
Grande salle
Prices

Full : 18 €
Discount Price : 14 €
IRCAM Card : 10 €

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Creation
Concert






IRCAM Live

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A part of Mutations/Créations 4
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See - listen: this desire for an analogy between audio and visual, the long-cherished dream of synaesthesia, is at the heart of IRCAM Live. The immersive stage designed by José Miguel Fernandez et Raphaël Foulon, and the performance by Eric Raynaud (stage name Fraction) are the result of their artistic research residencies, both carried out in the laboratories at IRCAM in Paris and at the SAT - Société des arts technologiques de Montréal. Aaron Einbond, winner of the European STARTS Residencies program, imagines a world-piano, playing 3D electronics and the very space of the concert hall. The spectator is virtually immersed in the heart of the instrument as "the medium has become the message".

COSMOLOGIES*
Aaron Einbond composition
Alvise Sinivia piano

LAS PINTAS real-time audiovisual performance**
José Miguel Fernandez composition
Raphaël Foulon video

VECTOR FIELD performance audivisuelle générative **
Fraction (Eric Raynaud) music, sound spatialization, and generative visualss

* Project produced during the STARTS Residencies program with the support of the DG Connect at the European Commission, in the framework of the STARTS Initiative (Science, Technology and the ARTS)
** Project produced during an artistic research residency at IRCAM in collaboration with SAT - Société des arts technologiques de Montréal.

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Coproduction: IRCAM/Les Spectacles vivants-Centre Pompidou.

Las Pintas

José Miguel Fernandez et Raphaël Foulon

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Vector Field

Fraction (Eric Raynaud)

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The rise

Fraction (Eric Raynaud)

  1. The rise Fraction (Eric Raynaud)
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