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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • Replay: ManiFeste-2022 Concerts
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Hotel "AntiOedipus" [live]








Wed 3 March 2021,
8:30 p.m.
Ircam

Free, on reservation.
Performances in English, subtitled in English

Zoom link for the performance
Meeting ID : 5870051339
Code d’accès : 030303

Join us at 8:20pm for the 8:30pm
This experience requires a specific set-up. Set up your computer before the performance begins using these instructions.

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Creation
Online Performance






Hotel "AntiOedipus" [live]

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A digital game of identities for avatars and solitary individuals across the globe - World Premiere
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In the framework of the Forum Vertigo 2021 dedicated to new topologies of artistic presence, this evening of performances features two interactive online works by the Greek artist Elli Papakonstantinou.

To participate, please set up your smartphone or computer using the instructions that will be provided here soon. The Zoom links will also be published on this page closer to the performance date.

Our world is shifting around us in these times of seclusion and dichotomy. As we are faced with a common crisis for the first time after WW2, some say we are connected more now than ever before. How does this affect our understanding of collective consciousness? What is this emerging global “Agora”? It is time to dive into the self and to connect with the collective. In Hotel “AntiOedipus”, Deleuze-Guattari’s fluid identity challenges the notion of a new ever evolving self. Fluid identity (collective and individual) is at the global epicenter.

In the show Hotel “AntiOedipus” face recognition and gaming technologies mixed with live visuals radically “upgrade” audience experience in digital performance. Avatars and solitary individuals connect live from the seclusion of their domestic environments across the globe; meet and have fun in virtual bars; join forces to form a new global “Agora”; through the keyhole attend psychoanalyst sessions that take place behind doors; move freely from one hotel room to the other; pip on the most private affairs of Jocasta and Oedipus and challenge the way we think of ourselves in a total game of identity. Hotel “AntiOedipus” is a challenge to explore the self.

Concept, Direction and Libretto Elli Papakonstantinou
Original Music Composition Julia Kent, Tilemachos Moussas
Music Direction Julia Kent
Assistant to the director Gemma Hansson Carbone
Live Cinematic Environments Stephanie Sherriff
Scientific advisor Professor Manos Tsakiris

With Nassia Gofa (Jocasta, Chorus), Elias Husiak (Boy, Young Œdipus, Avatar), Anastasia Katsinavaki (Teiresias, Chorus), Theodora Loukas (Woman, Tedex Avatar), Lito Messini (Œdipus, Chorus), Adrian Frieling

Recorded musicians Julia Kent (cello), Misha Piatigorsky (piano), Barbara Nerness (live electronic)

More performers Bret Woodard, Elisa Ricagni, Katerina, Savvoglou, Angela Constantinidou, Marios Nikolaou, Orpheas Georgiou, Monica Ciarcelluti

Technical Manager Charikleia Petraki
Technical Assistant Afroditi Anastopoulou

Viewer discretion advised. This show contains scenes that some audience members may find disturbing.

Executive Producer Elli Papakonstantinou / Ensemble ODC. Supported by the Greek Ministry of Culture.
With support of France Culture

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  • Hôtel "AntiOedipus"  None
    Hôtel "AntiOedipus"
  • Hôtel "AntiOedipus"  None
    Hôtel "AntiOedipus"

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