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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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    • Ircam Amplify
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  • Fictions-Science #11 : Arpenter les paysages (Traversing Landscapes)








Wed 18 March 2026,
6:30 p.m.
Ircam
salle Stravinsky

Free, reservation required

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Research
Encounter






Fictions-Science #11 : Arpenter les paysages (Traversing Landscapes)

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In connection with the interactive participatory concert of a new work by Sébastien Roux
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In the interstices of the contemporary city, in wastelands, in valleys, unexpected forms of habitability emerge—playgrounds where utopia gives way to realizations. These spaces become experimental grounds for a sensitive urbanity, where listening, the living, and imagination redraw the contours of the common. A playful exploration of future landscapes with artists and researchers who contribute to reinventing how we inhabit the city or the countryside.

With Nicolas Prignot philosopher and physicist, "Fabled Realities 2061"
Carmen Santana architect at Archikubik
Fabrice Hyber artist
Sébastien Roux composer

Fictions-Science

With the Fictions-Science encounters, research and creation engage in dialogue to address contemporary challenges. The renovation of the Centre Pompidou gives this season a momentum of questioning: where and how will we live tomorrow? In response to the harmful effects of human activities on natural environments, innovative spaces, whether dreamed or renewed, are being built. On the ground, the ingenuity and creativity of researchers and artists are sharpened by many collective issues (law, health, housing, or ecology).

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Coproduction IRCAM/Bibliothèque publique d’information-Centre Pompidou/Centre Pompidou – Department of Culture and Creation.

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Interactive concert

Wednesday 18 March 2026
Ircam
Interactive and participatory concert with the Ensemble ]h[iatus
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