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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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    • Innovative art-science-technology processes
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Wed 18 March 2026,
8 p.m.
Ircam
Espace de projection
Prices

Full : 18 €
Discount Price : 14 €
IRCAM Pass : 10 €
Youth Pass : 8 €

Duration 1 hour

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Reserve

Creation
Concert






Interactive concert

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As part of the 2026 Forum Workshops
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This participatory concert, performed by the ensemble ]h[iatus, invites the audience to actively shape the music as it unfolds. Audience responses influence the sound production in real-time. Rather than a vote based on majority taste, this event is about composing attention itself. The performance merges technology, cognitive science, collective decision-making, and compositional play.

Ensemble ]h[iatus
Ninh Le Quan
percussions, Thomas Lehn modular synthesizer, Fabrice Charles trombone, Tiziana Bertoncini violin
Sébastien Roux composition
Matéo Fayet IRCAM electronic
Clément Canonne (CNRS-STMS, Musical Practices Analysis team) composition and scientific advisor)
Benjamin Matuszewski (IRCAM-STMS, Sound–Music–Movement Interaction team) scientific advisor)
Diane Blondeau scenography

Sébastien Roux et Clément Canonne
Pièces pour audience, violon, trombone, synthétiseur, piano et percussions
Commissioned by IRCAM–Centre Pompidou, with the support of Sacem

Culture Relax session: March 18, 8pm

The Culture Relax program offers access to cultural venues in a welcoming and relaxed atmosphere, making it easier for people whose disabilities (autism, multiple disabilities, intellectual or psychiatric disabilities, Alzheimer's, etc.) may sometimes lead to atypical behaviors during performances. During specific sessions, traditional theater rules are relaxed, allowing these audiences to enter and leave during the show, express their appreciation vocally, and more. Everyone, whether affected by a disability or not, can freely experience their emotions and enjoy the performance together without fear.

For more information or reservation 01 44 78 12 40 or accessibilite (@) ircam.fr

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Commissioned by IRCAM–Centre Pompidou. With support from Sacem and Césaré, Centre national de création musicale de Reims.
  • L'Ensemble ]h[iatus  © Alain Julien
    L'Ensemble ]h[iatus © Alain Julien

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18 March to 21 March 2026
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Électro-Odyssée : Molécule - Live « Quantique »

20 March to 21 March 2026
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