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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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  • Fictions-Science #10: Écouter les fleuves (Listening to Rivers)








Wed 17 December 2025,
6:30 p.m.
Ircam
salle Stravinsky

Free, reservation required

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Research
Encounter






Fictions-Science #10: Écouter les fleuves (Listening to Rivers)

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In connection with the performance Tapajós
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In echo to Gabriela Carneiro da Cunha’s performance Tapajós, at a time when rivers dry up, overflow, silt up, or catch fire, their murmur becomes a call. Markers of geological time, sentinels of ecological transitions, bearers of stories, they are both living environments and witnesses of a planetary tipping point. Their vulnerability, increased by human actions, reveals deep interdependencies between realms, cultures, and timescales. How can we reconnect with these moving entities and hear their messages? At the crossroads of artistic creation, Earth sciences, environmental law, and sound listening, this roundtable listens to the rivers.

With Jérôme Gaillardet geochemist, professor at the Institute of Earth Physics of Paris
Sébastien Gaxie composer
Marine Calmet lawyer, founder et director of the Wild Legal association
Moderator Céline Loozen reporter, France Culture

Fictions-Science

With the Fictions-Science encounters, research and creation engage in dialogue to address contemporary challenges. The renovation of the Centre Pompidou gives this season a momentum of questioning: where and how will we live tomorrow? In response to the harmful effects of human activities on natural environments, innovative spaces, whether dreamed or renewed, are being built. On the ground, the ingenuity and creativity of researchers and artists are sharpened by many collective issues (law, health, housing, or ecology).

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Coproduction IRCAM/Bibliothèque publique d’information-Centre Pompidou/Centre Pompidou – Department of Culture and Creation.
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