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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Ensemble Court-Circuit








Sat 17 June 2023,
9 p.m.
Ircam
Espace de projection
Prices

Full : 18 €
Discount Price : 14 €
ManiFeste Pass : 10 €
Youth Pass : 5 €

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Creation
Concert






Ensemble Court-Circuit

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Festival ManiFeste 2023
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This evening will focus on Italian writing from three generations of artists, from Luciano Berio, who died twenty years ago, to Matteo Gualandi born in 1995.

Intertwining instrumental and electronic worlds, Lara Morciano's "embedded braids" have become a piece of the mixed music repertoire for flute. In his creation, the Chilean composer José Miguel Fernández creates a delicate interaction among the conductor's gestures, the programming language, and synchronization strategies offered by gesture recognition.

Matteo Gualandi concentrates sonic aesthetics in a series of chamber miniatures, Fleurs du sang et de la rosée, without electronics.

Finally, Berio and his Thema, based on the chapter of the Sirens of Ulysses by Joyce, achieves a masterly synthesis between the word, the voice of Cathy Berberian and electroacoustics. The onomatopoeias and sounds of the text abound: "Imperthnthn thnthnthn" related to trills, "Chips piching Chips" to staccato. Musical and textual meanings merge and respond to each other, in a rare and exciting economy of material.

Stéphanie Guérin mezzo-soprano
Anne Cartel flute
Alexandra Greffin-Klein violin
Frédéric Baldassare cello
Ensemble Court-circuit
Jean Deroyer direction
José Miguel Fernández, Serge Lemouton IRCAM electronics
Jérémie Bourgogne IRCAM sound diffusion

Lara Morciano Embedding Tangles
Luciano Berio Thema
Matteo Gualandi Fiori di sangue e rugiada (extraits)
José Miguel Fernández Sources rayonnantes, commissioned by IRCAM-Centre Pompidou, with the support of Sacem – Premiere 2023

Meet the artists after the performance.

Unfortunately, the Espace de projection is not accessible to people with reduced mobility.

With the support of the Sacem.

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  • https://manifeste2023.ircam.fr/en/
IRCAM-Centre Pompidou, Court-circuit coproduction
  • Mezzo-soprano Stéphanie Guérin  © DR
    Mezzo-soprano Stéphanie Guérin © DR
  • Composer Matteo Gualandi  © Nicolas Duna
    Composer Matteo Gualandi © Nicolas Duna
  • Ensemble Court-Circuit  © DR
    Ensemble Court-Circuit © DR
  • Composer Lara Morciano  © DR
    Composer Lara Morciano © DR
  • Violonist Alexandra Greffin-Klein  © Cecile Brossard
    Violonist Alexandra Greffin-Klein © Cecile Brossard

Until the concert... Ensemble Court-Circuit

  1. Rituale Ritorno Ricordo by Matteo Gualandi, for viola, video and electronic (recorded at Centquatre, 2021)
  2. Altra Voce by Luciano Berio (recorded at Centre Pompidou, 2017)
  3. Gravita by José Miguel Fernandez (recorded at IRCAM, 2006)
  4. Embedding Tangles by Lara Morciano (recorded at Maison de la Radio, 2016)
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