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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • Replay: ManiFeste-2022 Concerts
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Concert du Cursus #1








Fri 16 September 2022,
6:30 p.m., and
9 p.m.
3537
Prices

Free entry, limited seats available : 0 €

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Free entry

Transmission
Concert






Concert du Cursus #1

Edit






IRCAM's Composition and Computer Music program continues the shift begun in recent years toward a greater diversity in musical forms and aesthetics. The 2022 productions include dance, song, and audiovisual performances as well as electroacoustic music. Held in the Grande Salle at the Centre Pompidou, and at 3537 rue des Francs-Bourgeois in the form of an itinerant concert, the two evenings of the Cursus subvert forms and formats and articulate the relationship between electronics and the stage space. This is a situation that Pierre Jodlowski, the new composer associated with the Cursus, who has been responsible for the artistic accompaniment of the very eclectic Cursus 2021-2022 class, takes to heart.

Mathilde Barthélemy soprano
Olivia Martin percussions
Dafni Antoniadou, Stefanie Inhelder choreographic creation and dance

Pierre Jodlowski composer associated with the Cursus
Simone Conforti, Jean Lochard, Grégoire Lorieux, Sébastien Naves, Claudia Jane Scroccaro IRCAM educational advisors
Irène Gayraud, Kaya Kołodziejczyk artistic council

Creations by the composers of the 2021-22 Cursus class
Sebastian Adams, Filippos Sakagian, Aida Shirazi, Qingqing Teng, Julie Zhu

Edit
  • https://3537.org/
Production IRCAM-Centre Pompidou. In partnership with le 3537. With the support of the Sacem. IRCAM is partners with the Cité internationale des arts for the Cursus composers’ residencies.
  • Sebastian Adams  None
    Sebastian Adams
  • Filippos Sakagian  None
    Filippos Sakagian
  • Aida Shirazi  None
    Aida Shirazi
  • Qingqing Teng  None
    Qingqing Teng
  • Julie Zhu  None
    Julie Zhu
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