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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Concert du Cursus #2








Sat 24 September 2022,
8 p.m.
Centre Pompidou
Grande salle
Downloads

programme-concerts-cursus.pdf

Prices

Free entry, limited seats available

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Transmission
Concert






Concert du Cursus #2

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IRCAM's Composition and Computer Music program continues the shift begun in recent years toward a greater diversity in musical forms and aesthetics. The 2022 productions include dance, song, and audiovisual performances as well as electroacoustic music. Held in the Grande Salle at the Centre Pompidou, and at 3537 rue des Francs-Bourgeois in the form of an itinerant concert, the two evenings of the Cursus subvert forms and formats and articulate the relationship between electronics and the stage space. This is a situation that Pierre Jodlowski, the new composer associated with the Cursus, who has been responsible for the artistic accompaniment of the very eclectic Cursus 2021-2022 class, takes to heart.

Matthias Champon trompette
Alexa Ciciretti cello
Corentin Marillier performer
Léna Pinon, Victor Virnot choreographic creation and dance

Pierre Jodlowski composer associated with the Cursus
Simone Conforti, Jean Lochard, Grégoire Lorieux, Sébastien Naves, Claudia Jane Scroccaro IRCAM educational advisors
Irène Gayraud, Kaya Kołodziejczyk artistic council

Creations by the composers of the 2021-22 Cursus class
Utku Asuroglu, Basile Chassaing, Sachie Kobayashi, Matthias Krüger, Di Zhao

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  • https://www.centrepompidou.fr/fr/
Production IRCAM-Centre Pompidou/ Les spectacles vivants. With the support of the Sacem. IRCAM is partners with the Cité internationale des arts for the Cursus composers’ residencies.
  • Utku Asuroglu  None
    Utku Asuroglu
  • Basile Chassaing  None
    Basile Chassaing
  • Sachie Kobayashi  None
    Sachie Kobayashi
  • Matthias Krüger  None
    Matthias Krüger
  • Di Zhao  None
    Di Zhao

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Concert
Transmission

Concert du Cursus #1

Friday 16 September 2022
3537
Creations by the composers of the 2021-22 Cursus class

Cursus Program on Composition and Computer Music

The call for applications for the Cursus program is open until November 8, 2021. Composers, master IRCAM software for musical composition!
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