• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Happy Birthday, Péter Eötvös!








January 12 through Sat 13 January 2024,
10 a.m.- 6 p.m.
Ircam
salle Stravinsky

Gratuit, sur inscription

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Research
Symposium






Happy Birthday, Péter Eötvös!

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International Symposium - Musical theater, instrumental theater in Péter Eötvös’ oeuvre
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Born in Transylvania on January 2, 1944, Péter Eötvös enjoys a varied career as composer, conductor, and teacher. His music, performed by orchestras and festivals the world over, includes—in addition to some 90 major instrumental and vocal works—twelve operas (and two chamber operas) to date, including Three Sisters (1996-1997), Love and Other Demons (2007), Paradise Reloaded (Lilith) (2012/13), Der goldene Drache/Golden Dragon (2013/14), Sleepless (2020) and the latest to be premiered in 2023: Valuska. Since his earliest plays and the soundtracks of his youth, the theatrical, dramaturgical, and visual character of his works has become predominant, even in his instrumental catalog. His music-theater productions (his instrumental and vocal works, then his operas) deserve to be examined from an aesthetic, analytical, and dramaturgical point of view. This symposium will bring together specialists in his music from France, Hungary, Germany, Austria, Portugal, the United States, and China.


Scientific Committee
Jean-François Boukobza, Laurent Feneyrou, Geneviève Mathon, Szabolcs Molnár

Organisation
Institut Liszt Paris, Márta Grabócz. In association with IRCAM, the université de Strasbourg, and the université Gustav Eiffel

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Photo : Péter Eötvös © Tibor Bozi / Reduxpictures. Budapest, Hungary – 2020

Listen: Péter Eötvös

  1. Intervalles-Intérieurs by Péter Eötvös, 1982 (recorded at IRCAM, 2014)
  2. Moro Lasso by Péter Eötvös (recorded at the Théâtre musical de Paris, 1990)
  3. Steine by Péter Eötvös (recorded at the Théâtre du Châtelet, 1991)
  4. Hochzeitsmadrigal by Péter Eötvös (recorded at the Théâtre musical de Paris, 1991)
  5. Chinese Opera by Péter Eötvös (recorded at IRCAM, 1994)
  6. Psalm 151 (à la mémoire de Franck Zappa) by Péter Eötvös, 1994 (recorded at the Arsenal de Metz, 2004)
  7. Psy by Péter Eötvös, 1997 (recorded at the CENTQUATRE-PARIS, 2014)

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Happy Birthday, Péter Eötvös!

Saturday 13 January 2024
Ircam
Concert - Echo Chamber
Ircam

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75004 Paris
T. +33 1 44 78 48 43
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