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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Digital Libraries for Musicology








Fri 28 September 2018,
9:30 a.m.- 6 p.m.
Ircam
salle Stravinsky

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Research
Symposium






Digital Libraries for Musicology

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A satellite event of ISMIR 2018
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The 5th edition of the Digital Libraries for Musicology (DLfM) workshop follows previous workshops in London, Knoxville, New York, and Shanghai.  Submission topics include the use of methods and technologies relative to the extraction of musical knowledge applied to musicology research. 

Organization : Geoffroy Peeters (Sound Analysis-Synthesis Team IRCAM-STMS)

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With the support of Iremus, Oxford e-Research Centre, University of Oxford, Fast.

ISMIR 2018

19th International Society for Music Information Retrieval Conference

Sunday, 23 to 27, September, Paris

Sixteen years after its first visit, organized by IRCAM in 2002, ISMIR returns to Paris for its 19th edition, organized by Télécom ParisTech and IRCAM. ISMIR is the world’s leading research forum on processing, organizing, and accessing music-related data. The conference provides a meeting place for interdisciplinary discussions, bridging the gap among researchers, developers, teachers, librarians, students, and professional software-users. ISMIR gathers nearly 300 participants—hailing from universities and industry alike—and is held in a variety of venues around the capital: Cité internationale universitaire de Paris, Station-F, Deezer, Conservatoire national des arts et métiers, Sacem, Télécom ParisTech.

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