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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • AudioSculpt








January 23 through Fri 25 January 2019,
10 a.m.- 5:30 p.m.
Ircam
salle Nono
Language

French

Level

Beginner

CANCELLED

Edit
Transmission
Software Training






AudioSculpt

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Understand and master IRCAM’s software for editing and creating sound
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AudioSculpt is the fruit of several years of research in the Sound Analysis Synthesis team at IRCAM. It is both a powerful software program for analysis and an innovative tool for sound creation.

During this training, all these functions will be addressed and explained so you can use the full range of possibilities available to you in AudioSculpt. Take advantage of the best transposition and temporal compression/dilation algorithms available. Apply targeted filtering treatments through frequency representation. Create sound morphing through cross synthesis.

Objectives

Upon completion of this course participants will be able to read a sonogram, optimize analysis parameters, use the filtering functions on the frequency representation of sound, configure and correctly carry out basic processing techniques (transposition, temporal dilation, cross synthesis, breath reduction, additive analysis and re-synthesis)

Public

Composers, musicians, sound engineers, teachers, etc.

Prerequisites

Mastery of a sequencer software program such as Pro Tools, LogicAudio, and a sound editor like Audacity;
Mastery of the Macintosh environment (OS X).

Assessment

Assessment of acquired knowledge using a multiple-choice test (30 minutes) taken at the end of training.
A certificate at the end of the program is given to each participant with the results of the exam.

Edit

Program

Wednesday

MorningReview of frequency, range and graphical representations of sound;
Visualization and publication of the sonogram;
Using the selection tools for time/frequency.
AfternoonOptimizing the FFT analysis parameters;
Exploration of the tools for filtering the sonogram;
Using the grid and markers.

Thursday

MorningUsing the processing sequencer;
Study temporal dilation;
Using the editor curves;
Effects of the analysis parameters on processing.
AfternoonUsing the effects of transposition and the notion of formants;
Analysis of the fundamental frequency to cancel pitch variations;
Using breath reducer.

Friday

MorningCross synthesis with the filter "Spectral Breakpoint Filter";
Cross synthesis filter source;
Generalized cross synthesis, static and variable over time.
AfternoonAnalysis of the fundamental frequency and the analysis of partials;
Analysis via chord sequence and importing data in OpenMusic;
Additive resynthesis;
Creative use of resynthesis parameters;
Assessment of acquired knowledge using a multiple-choice test (30 minutes).
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