• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • Feminist Approaches to Computer Science Research: Scientific and Artistic Practices








Fri 11 October 2024,
9:30 a.m.- 7 p.m.
Ircam
salle Stravinsky
Downloads

programme_feminisme_recherche.pdf

Free entry, limited seating available

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Research
Encounter






Feminist Approaches to Computer Science Research: Scientific and Artistic Practices

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Study day organized by the Parity-Equality-Alterity group
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How can we encourage discussion on gender parity and equality in laboratories? This one-day event will discuss research projects-existing or in development-that address issues of inclusion and/or feminist approaches.

Program

Presentations & discussions

Morning, 9:30am. to 1:00pm. - Stravinsky Room, IRCAM
Also available online

9:30am | Welcome

10:00am | "Étudier les inégalités de genre dans les carrières académiques : un cas d’étude en robotique et intelligence artificielle" with Valentine Le Lourec, ENS-PSL, EHESS, ISIR Sorbonne Université

 10:45am | "Réflexivité et perspectives féministes sur une démarche ethno-graphique 360° : la quête d'une esthétique numérique scientifique ?" with Jordan Fraser Emery, Sciences de l'Information Communication & Psychologie Sociale, Université Savoie Mont-Blanc and Université de São Paulo

 11:30am | Full stack feminism: the power/care of autonomous feminist infrastructure in reoriented tech optimisation with Cécile Chevalier, School of Media, Arts and Humanities, University of Sussex

 12:15am | "Approches féministes et décoloniales dans la gestion et l’analyse de données with Genoveva Vargas Solar", Laboratoires LIRIS & LAFMIA

Workshops and discussions

Afternoon from 2:30 to 5 pm -  IRCAM, Studio 5
Only on site

Suggested topics for discussion, in the form of 3-minute flash presentations, to be sent in advance to: coregal-interlab (@) groupes.renater.fr
Group formation; Group reports and general discussion.

Organization

Organization by the Interlab Parity-Equality-Alterity group with :

Sarah J. Berkemer teacher-researcher at the Laboratoire d’informatique de l’École polytechnique (LIX)
Frédéric Bevilacqua research director and head of the Sound Music Motion Interaction team at IRCAM's STMS joint laboratory
Baptiste Caramiaux CNRS research fellow, assigned to the Institut des systèmes intelligents et de robotique (ISIR) de la Faculté des Sciences et de l’Ingénierie de Sorbonne Université
Alice Cohen Hadria Senior lecturer at Faculté des Sciences et de l’Ingénierie de Sorbonne Université, and researcher in the Sound Analysis and Synthesis team at IRCAM's STMS joint laboratory.
Lilyana V. Petrova artist-researcher, lecturer at the École Nationale Supérieure de l'Électronique et de ses Applications and member of the Information and Systems Processing Team (ETIS)
Genoveva Vargas-Solar CNRS research fellow and member of the DataBase group at the Laboratoire d'informatique en image et système d'information (LIRIS).

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With the support of the CNRS (Comité Parité de l’INS2I)
Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
Opening times

Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles
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