The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
Tristan Murail turned to composition after graduating in classical and Maghrebian Arabic from the École nationale des langues orientales and obtaining a degree in economics from the IEP in Paris. After studying with Olivier Messiaen at the Paris Conservatoire, he went on to live at Villa Medici from 1971 to 1973, where he met the Italian composer Giacinto Scelsi. On his return to Paris in 1973, he co-founded the Ensemble L'Itinéraire, which quickly gained wide recognition for its fundamental research into instrumental playing and electronics. In the 1980s, Tristan Murail deepened his research into the analysis and synthesis of acoustic phenomena. He worked with IRCAM, where he taught composition from 1991 to 1997, and helped design the Patchwork composition aid program.
In 1997, Tristan Murail was appointed professor of composition at Columbia University in New York, where he taught until 2010. Back in Europe, he continues to give master classes and seminars all over the world, was a guest professor for three years at the Mozarteum University in Salzburg, and is currently a guest professor at the Shanghai Conservatory.
Photo: Tristan Murail © Radio France - Christophe Abramowitz