The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
Composer (b. 1979)
Sampo Haapamäki studied composition at the Sibelius Academy in Helsinki with Tapio Nevanlinna and Veli-Matti Puumala, until obtaining his Master’s degree in 2005. He continued his education with Tristan Murail at Columbia University (New York), where he defended his PhD 2012. In 2012-2013, he followed the Cursus at IRCAM under Grégoire Lorieux.
He was involved in the development of new instruments tuned in quarter tones and composes concertos for them: Veli Kujalas’ quarter tone accordion (built by Pigini), Juuso Nieminen’s quarter tone guitar (built by Keijo Korelin), and Elisa Järvi’s quarter tone piano (built by Otso Haapamäki). These instruments strive to open a the broadest register possible in quarter tones (24 notes per octave) without losing their ergonomic design.