- Research
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
- Creation
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
- Composers & Artists in Studio
- Vimala Pons in studio
- "I am in blood" for Sixteen Musicians and Live Electronics
- Lucie Antunes in studio
- Deena Abdelwahed in the studio
- "Transfer" for 10 Musicians and Electronics
- L'Annonce faite à Marie
- In Ex Machina
- Jazz Ex Machina
- Improvise cum machina 1/2
- Improvise cum machina 2/2
- Like Sound, Like Flesh
- Silent Talks
- Music-Fictions
- Transmission
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
- Training Courses
- Training Courses 2023.24
- Max, Max for Live
- OpenMusic
- Modalys
- Sound spatialization
- Designing Audio Experiences on the Web
- Interact, Compose, Improvise with Generative Agents
- Other training programs
- Practical Information
- Innovations
At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.
