The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.
At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.
At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.
Interactive Interfaces in Real-Time for Computer-Assisted Composition
Thesis Defenses at IRCAM on December 19, 2017
Doctoral Advisors: Carlos Agon (Sorbonne Université - IRCAM) and Pierre Couprie (Sorbonne Université - IReMus).
Daniele Ghisi studied composition at the G Donizetti conservatory in Bergmao under S. Gervasoni – and in 2007 received his diploma with honors. From 2008 to 2011 he participated in IRCAM’s Cursus program in composition and computer music, and in 2015 began a doctorate in music: research in composition, organized in collaboration with Sorbonne Université and IRCAM. Ghisi also holds a Master’s degree in mathematics from the University of Milan-Bicocca. Since 2010, he has developed, alongside composer Andrea Agostini, a library for computer-assisted composition “bach: automated composer’s helper”, for which they won the AFIM-Jeune Chercheur award and the A. Piccialli award in 2012. He is the co-founder of the blog nothing.eu, to which he contributes regularly.
At Ircam from October 2014 to December 2017
Email : Daniele.Ghisi (at) ircam.fr