The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
Her story is now well known: that of a DJ and mulit-faceted pioneer. When she started in the late 1990s, few women had taken over the decks. Her rise was intertwined with that of Pulp, a club where dancing and gathering were as much about politics as they were about music—especially concerning minority representation.
From Parisian clubs to international stages, Chloé has consistently defied expectations, creating sets that oscillate between ecstatic euphoria and the melancholic beauty of dawn after a night of raving.
In 2017, she founded her own label, Lumière Noire. After a decade of challenging musical categories, she now feels freer than ever to experiment with textures, sonic environments, and narratives—whether composing film scores, collaborating with choreographer Maud Le Pladec, visual artist Noémie Goudal, or theater director Maëlle Poésy. Her artistic spectrum continues to expand, embracing every opportunity to push sonic boundaries even further.