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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2024.25
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Generative AI
    • Sound Design
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
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Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

The dynamics of innovation at Ircam are underpinned by an original model focusing on contemporary creation. Close collaboration between artists and scientists at the cutting edge of their fields has yielded inventions for sound production, whose works are advanced prototypes. Engineering processes implemented tend to both extrapolate and pool the novel artistic approaches in generic concepts and instantiate them in forms suitable for broader usage.

The Ircam Forum acts as a meeting place for the international community of Ircam software users and is the first circle for the dissemination of technologies beyond in-house artistic production. Forum members, mostly students and professionals  - artists, teachers, scientists and engineers - have access to technology in its most open and experimental forms: the degree of openness and programmability of the environments means they can be adapted to a diverse range of aesthetic approaches. The Forum is also a community network in which its members can share their own technological and artistic output.

Industrial collaborations account for a significant share of Ircam activity, whether as part of collaborative R&D projects, research services and theses supervised jointly with research teams. The production of commercial software collections, conducted in collaboration with renowned players (Flux::, Amadeus, Ableton, Plugivery etc.), makes it possible to circulate technology among various target users.

Ircam Amplify is an Ircam subsidiary founded in 2019, in charge of marketing the know-how and technology produced in the laboratory, in the form of services and products. Bridging state-of-the-art audio research and the world of industry at a global level, Ircam Amplify is an active participant in the sound revolution of the 21st century, while creative and cultural industries have taken on growing strategic importance in national and European economies. Industries such as transportation and haulage, luxury and healthcare are increasingly aware that sound is an essential component of all human experience. The original approach developed at Ircam focusing on sound design, combining aesthetics and functionality in design to contribute to of the sound dimension of our day-to-day environment, also responds to this growing awareness.

Looking beyond the artistic and industrial application of its research, Ircam’s 40+ years of accumulated experience in methods to explore connections between scientific research, artistic creation and industrial leveraging is generating growing interest in society to implement processes for open innovation and the setup of new interdisciplinary networks, as part of European projects, with the organisation of meetups and the provision of cultural engineering services.

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The IRCAM Forum

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Ircam Amplify

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IRCAM Forum Studio Session: Canblaster

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Join us in IRCAM’s iconic Studio 5 on October 9th for an IRCAM Forum Studio Session with French electronic artist Canblaster. Enjoy a live performance using IRCAM’s RAVE software from ACIDs research …
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The IRCAM Forum Celebrates its 30th Anniversary!

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Interview with Hugues Vinet, Director of Innovation at IRCAM
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MediaFutures celebrated the 3rd cohort projects' success and 3-year programme conclusion!

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MediaFutures held its third and final DemoDays on the 8th and 9th of June 2023, at the Design Zentrum in Hamburg: congratulations to the winners from our third cohort, and to all the innovative proje…
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