The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
IRCAM AIxMusic garden: multidisciplinary views of both the scientific and creative research carried out on AI, featuring six events:
Friday, September 11, 4:00pm - 4:05pm (UTC +2)
AI Creative Agents: The Man I Love
a video featuring the Improtek project interpreted by Hervé Sellin (FR) and Remi Fox (FR);
Friday, September 11, 4:05pm - 4:25pm (UTC +2)
Three Ladies Project
performance by artist Georges Bloch featuring the Dicy2Lib technology at Manifeste 2020.
Friday, September 11, 4:25pm - 4:30pm (UTC +2)
Little Etudes for Piano
a performance by Elaine Chew (FR) a series of short piano pieces based on cardiac electrical anomalies each described by Pier Lambiase (UK);
Friday, September 11, 5:00pm - 6:17pm (UTC +2)
Talk : Musical Generativities
a discussion panel In the framework of the Forum Vertigo 2020;
Saturday, September 12, 6:00pm - 7:00pm (UTC +2)
Can we do the same with less – AI in 64 Kb
a hands-on workshop in English for the AIxMusic Hackathon by Philippe Esling (FR) introducing techniques for lightweight AI and demonstration of embedded technologies;
Sunday, September 13, 1:35pm - 2:25pm (UTC +2)
Frontiersof Music and Artificial Intelligence
a panel organized by Elaine Chew (FR), and discussions with Dorien Herremans (BE) and Philippe Esling (FR);