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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • The playlist of the ManiFeste-2022 festival!
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April 29, 2022
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The playlist of the ManiFeste-2022 festival!

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On the program: the revolution of the orchestra through electronics, of music through Webern, of science through Alan Turing; the anniversaries of Kaija Saariaho and Philippe Manoury; artificial intelligence merging with the human imagination. One of the highlights of the festival will be the reopening of the Espace de projection to the public, the legendary room at the heart of IRCAM, which can be adapted as desired through its variable scenic design and acoustics.

Discover the whole program on the festival's website!

ManiFeste website

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Playlist du festival ManiFeste-2022

  1. Polytope de Cluny by Iannis Xenakis
  2. Pléiades by Iannis Xenakis
  3. Five Songs (Kafka’s Sirens) by Francesca Verunelli
  4. Come play with me by Marco Stroppa
  5. Convergence by Alexander Schubert
  6. L'amour de loin by Kaija Saariaho
  7. Emerging From Currents and Waves by Jesper Nordin
  8. Intrusions by Misato Mochizuki
  9. Pluton by Philippe Manoury
  10. Alan T. by Pierre Jodlowski
  11. Nostalgie by Núria Gimenez-Comas
  12. Dir - in dir by Stefano Gervasoni
  13. Comic Sense by Clemens Gadenstätter
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