• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Boutique
  • Resource Center
  • Magazine
  • Medias
  • login
  • En
  • Fr
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Boutique
  • Resource Center

Fr | En

  • login
  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • Home
  • Launch: Post-Master’s Degree in Artificial Intelligence and Movement
Publish date


With Published chosen, won't be shown until this time





June 18, 2018
Edit
News
Research
News






Launch: Post-Master’s Degree in Artificial Intelligence and Movement

Edit






Application Deadline: July 15, 2018
Edit






MINES ParisTech, in partnership with the IRCAM (France), the Center for Research and Technology Hellas (Greece), the Idiap Research Institute (Switzerland) and the INREV Paris8 University (France), launches AIMove, a Post Master’s Degree in "Artificial Intelligence (AI) and Movement in Industries and Creation". The international postgraduate program, taught in English, will start in October 2018. For MINES ParisTech, AI topics are strategicin training the scientists and engineers of the 21st century.

IRCAM is a partner in the interdisciplinary AIMove postgraduate program focused on creative industries such as music, design, and performances. IRCAM researchers and developers will intervene in the module "Human, Machines and Connected Objects" and in the course "Movement-Based Interactive Systems and Sonification". The UMR STMS Interaction Sound Music Movement team is an expert in this domain with experience gained through the leadership of numerous European and French research projects (Interlude, Legos, CoSiMa).

Students will be invited to take part in the upcoming international conference “MOCO – Movement and Computing” initiated by IRCAM in 2016. This conference is dedicated to human movement, its representations, and digital transformations.

Artificial Intelligence is currently at the center of discussions and debates that go beyond the digital field, because of the changes it will entail. Developing intelligent machines for improving collaboration, living and learning, has not only economic but also social consequences. Companies and Society are facing a real need to find professionals with AI expertise coupled with the use of human movement for the interaction between man and machine. The Post-Master’s Degree AIMove aims at promoting an interdisciplinary AI engagement, in order to meet the industrial challenges of AI applications in relation to the body and movement.

The AIMove program will train:

  • Experts in movement engineering, prepared to take responsibility in the industry, integrating motion
    capturing, machine learning and movement-based interaction;
  • Project managers able to conceive, implement and take over interactive systems or intelligent workspace projects by enhancing the sensorimotor and cognitive capabilities of the user.

The Post-Master’s Degree AIMove consists of a 6-month course, including an after-school program with workshops, international conferences, a think-tank and a Summer School, implemented with the association GAIIA (Gesture & Artificial Intelligence in Industry and Arts). The curriculum is built around 6 main modules :

  • AI and societal challenges
  • Motion capture, modeling and gesture recognition
  • User Interaction/User Experience (UI/UX)
  • Humans, machines and connected objects
  • Movement and European industrial leadership
  • Interdisciplinary AI engagement

The training is completed by a 6-month mission in a company.

« This unique program brings together the leading European professionals in the sector to train future engineers experts in AI and human movement. The industries concerned are the factory of the future, the automotive industries and the self driving cars, as well as the medical, cultural and creative industries. The expert engineer in motion capture and AI will be able to take on responsible roles in machine learning, collaborative robotics, IoT, innovation management for the industry 4.0, design of movement-based interactive systems based on human movement… » Sotiris Manitsaris is the Director of AIMove and Senior Researcher at the Center for Robotics of MINES ParisTech.

Registrations and recruitment are open until July 15th 2018. Applications are open for candidates with a fiveyear university degree in engineering, computer science, mathematics, automation, electronics or other relevant discipline or four-year university degree together with at least three years of professional experience. AIMove is an English taught program and all applicants must be able to provide evidence of competency in English. The AIMove English language requirements: IELTS: 6.5 overall with at least 6.0 in each category.

Informations & Registration

Edit
Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
Opening times

Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles
  • Jobs Offers & Internships
  • The IRCAM team
  • Partners
  • Support IRCAM
Institut de Recherche et de Coordination Acoustique/Musique

go to :
  • Centre Pompidou
  • Legal Notes
  • General Conditions
  • Espace Pro
Copyright © 2022 Ircam. All rights reserved.