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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • Replay: ManiFeste-2022 Concerts
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Replay : Forum Vertigo 2017 - Espace simulé et formes du digital
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March 26, 2020
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Replay : Forum Vertigo 2017 - Espace simulé et formes du digital

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In 2017, the first edition of the Vertigo Forum brought together architects, designers, musicians and makers, scientists and startup founders for a week to examine the themes of architecture and 3D design, simulation and virtual reality, makers, design and morphogenesis. The purpose of these interdisciplinary meetings was to expose and debate the trends introduced in the arts through 3D modeling and the new materializations of digital technologies in the tools, forms, and processes of contemporary creation. All the videos are online!

Architecture and 3D conception

Panel Discussion: Music & Architecture
with Gilles Retsin, Manuel Jimenez Garcia, Jenny Sabin, Joris Laarman, Philippe Morel and Frédéric Migayrou
Watch the discussion

Encounter: Music & Architecture
with Olga Neuwirth, Greg Lynn, Frank Madlener and Frédéric Migayrou
Watch the discussion

Simulation and Virtual Reality

Spatial Simulation as an Integrative and Multiprocess Construction
with Franck Varenne
Watch the conference (in French)

Form, Function, and Aesthetics
with Bruno Lévy
Watch the conference

The Connection Between Emotion and Immersion in Immersive Experiences
with Gaël Seydoux
Watch the conference

Venise Time Machine
with Frédéric Kaplan
Watch the conference

Printing and Composing sound chambers- Natural spaces, chimeric spaces
with Olivier Warusfel et Markus Noisternig
Watch the conference

Spatialization, Towards 3D Writing
with Thierry Coduys et Gaël Martinet
Watch the conference

Makers, Design, and Morphogenesis

Sound Design Methodology : Articulation Between Theory and Practices
with Olivier Houix, Nicolas Misdariis and Patrick Susini
Watch the discussion

Designing for sound and the social
with Cecilia Wee, Matt Lewis and Will Renel
Watch the discussion

Panel Discussion: Makers, Design, and Collaborative Economy
with Sébastien Broca, Amélie Capon, Marie-Christine Bureau, Vincent Guimas, the Collectif Ippolita and Anne-Cécile Worms
Watch the discussion

Conference - Multimodal interaction tools for hackers and artists
with Frédéric Bevilacqua, Emmanuel Fléty and Hugo Placido da Silva
Watch the conference

Conference - Hybridization of Acoustic and Digital Instruments
with Adrien Mamou-Mani
Watch the conference

Conference - SYOS, Custom Made 3D Printing for Sound
with Pauline Eveno
Watch the conference

Panel Discussion: Design
with Paola Antonelli, Marie-Ange Brayer, François Brument, Nicolas Henchoz and Sylvain Lefebvre
Watch the discussion

Encounter: Forms and Mathematisation of the World
with Alain Prochiantz, Alain Connes and Moreno Andreatta
Watch the discussion

Edit

Replay of other editions

News
Research

Replay: Forum Vertigo 2019 “Designing the Living”

Article
The third edition of the Forum Vertigo, held March 27—30, 2019 at the Centre Pompidou, is dedicated to artistic and societal issues surrounding biotechnologies. The entire event is available on repla…
News
Research

Replay: Forum Vertigo 2020 “Artificial Intelligence and Artistic Creation”

Article
Tune in to our YouTube channel to relive the panel discussions and debate!
News
Research

Replay: Forum Vertigo 2018 “Code-Decode the World"

Article
The second edition of the Forum Vertigo 2018 brought together artists, scientists, designers, and professionals in the domain of new technologies to discuss the theme of code in creation. Relive the …
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