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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2024.25
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Generative AI
    • Sound Design
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
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Sat 19 June 2021,
2 p.m.- 6 p.m.
Centre Wallonie-Bruxelles
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prg_feminisme_musique_technologie.pdf

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Free Entry

Entrée libre dans la limite des places disponibles

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Creation
Symposium






Féminisme - Musique - Technologie

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After a first seminar on cyber-feminism, this meeting provides an overview of actions carried out in Europe on issues related to feminism in the fields of music and technology, such as "FACT///. - Feminist Approaches to Computational Technology Network" in Brighton, the IFTE network "The Intersections, Feminism, Technology & Digital Humanities network", or Women Nordic Music Technology (WoNoMute). The presentations are given by researchers and artists who address these themes by crossing social issues of inclusion and intersectionality with technological and cultural contexts. They are followed by discussions with the public.

With Caroline Bassett, Professor University of Cambridge (United Kingdom), 
Cécile Chevalier, Lecturer University of Sussex (United Kingdom), 
Sharon Webb, Lecturer University of Sussex (United Kingdom),
Karolina Jawad, NTNU/UiO researcher (Norway), 
Anna Xambó Sedó, Senior Lecturer De Montfort University (UK),
Emma Frid, IRCAM-STMS researcher,
Hyacinthe Ravet, Sorbonne University professor and Institute for Research in Musicology (IReMus)

and the participation of artists: Claire Williams, Sarah Wery, Charo Calvo.

Organized by Sarah Fdili Alaoui (Université Paris-Saclay, LISN), Frédéric Bevilacqua (IRCAM-STMS), Stéphanie Pécourt, Sara Anedda (Centre Wallonie-Bruxelles), Suzanne Berthy, Sylvie Benoit (IRCAM)
With the collaboration of Nova_XX, an international biennial dedicated to technological, scientific and artistic innovation in women's fashion and in the era of the Fourth Industrial Revolution 4.0, an initiative of the Centre Wallonie-Bruxelles | Paris

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