• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • VxH - La Voix humaine








Fri 9 November 2018,
Sat 10 November 2018,
Tue 13 November 2018,
Wed 14 November 2018,
Thu 15 November 2018,
Fri 16 November 2018,
Sat 17 November 2018,
Tue 20 November 2018,
Wed 21 November 2018,
Thu 22 November 2018,
8:30 p.m.
Théâtre Laurent Terzieff
Edit
Creation
Performance






VxH - La Voix humaine

Edit






Au départ il y a La Voix humaine de Jean Cocteau. Il est question du gouffre de l’absence. Puis, Disappear here de Falk Richter. Un poème sur le questionnement de ce même gouffre…
Les spectateurs sont immergés au sein d’un dispositif spécifique qui dévoile la solitude extrême de celle qui porte la performance : une manière d’explorer tous les axes possibles de la perception. Voir et ne pas voir, voler des points de vue et des perspectives d’écoute, Roland Auzet réécrit le rapport entre le public et le plateau de la narration.

JEAN COCTEAU LA VOIX HUMAINE
FALK RICHTER DISAPPEAR HERE

Roland Auzet conception, musique et mise en scène, co-commande de l’Ircam-Centre Pompidou et du Festival Aujourd’hui Musiques du Théâtre de l’Archipel, scène nationale de Perpignan, création 2018
Irène Jacob comédienne
Joëlle Bouvier collaboratrice artistique et chorégraphe
Daniele Guaschino réalisation informatique musicale Ircam
Bernard Revel création lumière

Edit
Production Act Opus. Coproduction Ircam-Centre Pompidou, MA scène nationale – Pays de Montbéliard. Act Opus est soutenue par le ministère de la Culture – DRAC Auvergne-Rhône-Alpes et la Région Auvergne-Rhône-Alpes. Coréalisation Le CENTQUATRE-PARIS et Ircam-Centre Pompidou. L’Ircam est partenaire du CENTQUATRE-PARIS pour l’accueil des projets d’expérimentation autour du spectacle vivant.
  • Répétition, Irène jacob  © Christophe Raynaud de Lage
    Répétition, Irène jacob © Christophe Raynaud de Lage
  • Irène Jacob  © Christophe Raynaud de Lage
    Irène Jacob © Christophe Raynaud de Lage
  • Répétition, Irène jacob  © Christophe Raynaud de Lage
    Répétition, Irène jacob © Christophe Raynaud de Lage
  • Roland Auzet  © Nandit Desai
    Roland Auzet © Nandit Desai
  • Irène Jacob  © Richard Schroeder
    Irène Jacob © Richard Schroeder
  • Répétition, Irène jacob  © Christophe Raynaud de Lage
    Répétition, Irène jacob © Christophe Raynaud de Lage
  • Répétition, Irène jacob  © Christophe Raynaud de Lage
    Répétition, Irène jacob © Christophe Raynaud de Lage
  • Irène Jacob  © Christophe Raynaud de Lage
    Irène Jacob © Christophe Raynaud de Lage
  • Répétition, Irène jacob  © Christophe Raynaud de Lage
    Répétition, Irène jacob © Christophe Raynaud de Lage
  • Répétition, Irène jacob  © Christophe Raynaud de Lage
    Répétition, Irène jacob © Christophe Raynaud de Lage
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