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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Voix et électronique








Sat 1 October 2022,
8 p.m.
Loewe Theater
Second Floor, Room 204
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Creation
Concert






Voix et électronique

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The combination of voice and electronics has long fascinated and engaged IRCAM, from the first synthetic voices (such as Farinelli's) to recent operas with electronics. This coexistence of the most natural medium: the voice, and the most artificial: the transformed voice, the voice cloning of the cultural industries, disturbs our perception and our identities.
On the program for this concert are two generations of composers: Kaija Saariaho, whose opera Innocence has made its mark on the opera scene, and Sivan Eldar, resident at the Villa Albertine in Los Angeles, soon to appear at the Aix-en-Provence Lyric Festival. Also a resident of Villa Albertine in New York and Boston, composer Roque Rivas proposes a vocal and sonic ramble through Manhattan, inspired by architect Rem Koolhaas' manifesto book, Delirious New York. As for Adrien Trybucki a member of the young generation of French composers, he has imagined a virtuoso labyrinth with Rapides Diaprés.

Donatienne Michel-Dansac soprano
Serge Lemouton IRCAM electronics

Adrien Trybucki Rapides Diaprès
Sivan Eldar You’ll drown, dear
Kaija Saariaho Lonh
Roque Rivas (music) / Carlos Franklin (video) Mutations of Matter

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