• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Boutique
  • Resource Center
  • News
  • login
  • En
  • Fr
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Boutique
  • Resource Center

Fr | En

  • login
  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • Home
  • Rendez-vous in Paris
  • Vimala Pons : Le Périmètre de Denver








Wed 12 April 2023,
Thu 13 April 2023,
Sat 15 April 2023,
Sun 16 April 2023,
Wed 19 April 2023,
Thu 20 April 2023,
Sat 22 April 2023,
Sun 23 April 2023,
8 p.m.
Centre Pompidou
Grande salle
Prices

Full : 18 €
Discount Price : 14 €
Pass Ircam : 10 €

Edit

Reserve

Creation
Performance






Vimala Pons : Le Périmètre de Denver

Edit






Seven characters from different walks of life cross paths in a hotel in an English seaside resort where a murder has taken place. The accounts do not match up. Inspired by courtroom drama films, by the game of Cluedo, by Columbo's investigations, Le Périmètre de Denver sows permanent confusion between the true, the false-real, and the artifice, in particular vocal. Author, circus artist, performer, Vimala Pons was first trained in martial arts and classical guitar before studying art history and cinema.  Le Périmètre de Denver is a concept that borrows from both quantum physics and philosophy: it designates a state of confusion characterized by an altered relationship to identity and reality.

Vimala Pons conception, production, text and original music
Tsirihaka Harrivel artistic collaboration
Adeline Ferrante artistic coordination and production assistant
Benjamin Bertrand, Benoît Laurent, stage management
Anaëlle Marsollier, Annabelle Maillard, sound design and production
Alexandre Dubus, Arnaud Pierrel, lighting and video control
Agathe Poitevin, Mélanie Leprince, Anaïs Parola, dresser
Marie La Rocca, Anne Tesson, Rémy Ledudal, costume design
Charlotte Wallet, Olivier Boisson, Atelier de Nanterre-Amandiers, CDN, Marlène Bouana, object construction
Marion Flament and Jimme Cloo (Bigtime Studio), stage design collaboration
Alex Hardellet, Charles Sadoul, design of electro and video systems
Sylvain Verdet, collaboration on lighting devices
Robin MeierIRCAM computer music collaboration
Marc Chevillon, Benjamin Bertrand, artificier
Adeline Ferrante, production, diffusion (of the creation)
Alice Couzelas, administration (of the creation)
Mathieu Hilléreau - Les IndépendancesS, administration, production, diffusion

Le Périmètre de Denver © Makoto Chill Okubo

Edit
  • https://www.centrepompidou.fr/fr/
Production : VICTOIRE CHOSE Coproduction : Nanterre-Amandiers, centre dramatique national, 2 Pôles Cirque en Normandie • La Brèche, Cherbourg • Cirque Théâtre, Elbeuf, Le Lieu Unique, Nantes, CDN Orléans / Centre-Val de Loire, Bonlieu, Scène nationale d’Annecy, Le TAP, Poitiers, La Coursive, Scène nationale de La Rochelle, MC2: Maison de la Culture de Grenoble, Espace Malraux, Scène nationale de Chambéry, Le CENTQUATRE-Paris, Les Spectacles vivants - Centre Pompidou Paris, Les Halles de Schaerbeek, Bruxelles, Ircam-Centre Pompidou, Les Subsistances, Laboratoire de création artistique, Lyon With the support of : Ministère de la Culture - Direction Générale de la Création Artistique, DRAC Île-de-France, action founded by the Région Île-de-France Tsirihaka Harrivel and Vimala Pons are associated artists at the CENTQUATRE (Paris) and the platform 2 pôles Cirque en Normandie (2020-2021-2022). Vimala Pons is an associated artist of the CDN d'Orléans/Val-de-Loire and the MC2-Grenoble. The company VICTOIRE CHOSE is supported by the Ministère de la Culture - DRAC Île-de-France.
Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
Opening times

Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles
  • Jobs Offers & Internships
  • The IRCAM team
  • Partners
  • Support IRCAM
Institut de Recherche et de Coordination Acoustique/Musique

go to :
  • Centre Pompidou
  • Legal Notes
  • General Conditions
  • Espace Pro
Copyright © 2023 Ircam. All rights reserved.