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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • The Rise








Tue 1 October 2024,
9 p.m., and
Wed 2 October 2024,
7 p.m.
Théâtre National de Strasbourg
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Creation
Opera






The Rise

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Performance in international sign language, subtitled in French and English.
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Many worlds exist, and more are yet to come. In The Rise, musical bodies, dancing bodies, singing bodies, create a new world from a series of poems by Louise Glück, Averno.

The master of ceremonies is Ruben Grandits, a deaf actor, a wizard of translation, who circulates meaning between language, sign and sound. He guides the ten performers through the mouth of the volcano Averno, which is also the place of passage between the world of the living and the world of the dead. Before our eyes are then reinvented: new instruments, new musical harmonies, and a grammar, a rhetoric, even a politics.

Eva Reiter, Michiel Vandevelde conception and scenography
Eva Reiter music, commissioned by Ensemble Ictus with the support of Ernst von Siemens Musikstiftung 
Eva Reiter
 instruments creation
Michiel Vandevelde choreography and lighting
Günter Roiss, Georg Marsh, Ruben Grandits, Stefanie Fieber-Grandits, Eva Reiter international sign language translation and original signed poetry
Tutia Schaad costumes
Augustin Muller IRCAM electronics

Ruben Grandits narration
Lore Binon soprano

Ictus
Dirk Descheemaeker, Hanna Kölbel, Eva Reiter, Michael Schmid musicians 
Disagree vzw
Amanda Barrio Charmelo,Nathan Felix-Rivot, Antoine Roux-Briffaud, Aure Wachter dancers

The Rise, 2024 premiere

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  • https://festivalmusica.fr
Produced by Ensemble Ictus and Disagree vzw. Co-produced by Musica Festival Strasbourg, ElbPhilharmonie Hamburg, Concertgebouw Brugge, Ircam-Centre Pompidou, Perpodium. With the support of the Flemish Community and the Tax Shelter of the Federal Government of Belgium. Photo by © Violetta Wakolbinger
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