• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2024.25
    • Max, Max for Live
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    • Spatial Composition Workshop
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  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2024.25
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Generative AI
    • Sound Design
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • TACT - Interactive audiovisual installation








Thu 12 September 2024,
10 a.m.- 6 p.m., Fri 13 September 2024,
11 a.m.- 4 p.m., Sat 14 September 2024,
10 a.m.- 4 p.m., September 16 through Thu 19 September 2024,
10 a.m.- 6 p.m., September 20 through Sat 21 September 2024,
11 a.m.- 4 p.m.
Bibliothèque Deichman Holmlia, Oslo, Norvège
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Creation
Installation






TACT - Interactive audiovisual installation

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As part of the « Ultima Oslo Contemporary Music Festival »
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How would you describe your relationship with the place you live in? What has it to offer beyond the apperances?

Assisted by teachers and a skilled team of experts in photography, sound and graphic design, media students from the Bjørnholt high school have created an installation using the TACT audio-visual environment to tell their own stories about their local area and their place within it.

Developed by the electronic music centre IRCAM / Centre Georges Pompidou in Paris, TACT (for Touching / Auditioning / Composing / Transmitting) is designed to be used by audiences of all ages. It allows you to interpret and reshape an environment by interacting with image and sound on a large touch screen, thus improvising with an open partition especially designed for the hosting institution. Here they can explore the content created by the students and become part of their audiovisual stories.

Romain Barthélémy, Media Production students from Bjørnholt vgs sound design
Zoé Aegerter, Media Production students from Bjørnholt vgsvisual design
Elisabeth Kristina Svanqvist Ekeberg, Siri Ribøy Salkjelsvik, Sune Magnus Fjell, Alevtina Polyakova teachers
Brian Cliff Olguin mentor, photography
Guillaume Pellerin, Guillaume Piccarreta, Pascal Vaccaro IT development, system and interfaces
Romain Barthélémy, Frédéric Voisin, Fabien Bourlier design and creation of the audio engine
Romain Barthélémy mixing
Frédéric Voisin composition assitance
Emma Lelong furniture design

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  • https://www.ultima.no/en/
In collaboration with Deichman Holmlia Library, Ircam-Centre Georges Pompidou, Bjørnholt videregående skole and the Holmlia Kulturhavn Cultural Centre. With the support of the Sparebankstiftelsen DNB Foundation, the ULYSSES network supported by the EU's Creative Europe Program, the Institut Français de Norvège and the Bergesenstiftelsen Foundation.
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