Studio 5, Live

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Study at IRCAM

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Sat 1 February 2020,
3 p.m.- 6 p.m.

Ircam

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prg_studio5_pedagogie.pdf

Free entry, limited seats available.

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A center for research and artistic creation, IRCAM is also a unique venue for the transmission of knowledge and practices. Discover the institute’s educational activities via concerts, listening sessions, and the presentation of inventive sound objects. Meet young composers and performers, take part in short software demos of software designed at IRCAM. <h2>Program</h2> <h3>Studio 1  | Demonstration</h3> <table> <tbody> <tr> <td style="width: 100px; vertical-align: top;"> 3:30pm & 4:30pm </td> <td> Ambisonic Dome: Understand the Issues Surrounding a Sound Spatialization System Through an "ambisonic" diffusion system we rediscover how we perceive the world. We understand the power of the perceptive processes of hearing which makes us "feel", "hear", "listen" to our environment. In the hands of creators—composers in this case—it becomes an instrument used to designs space. A few examples will illustrate this sound projection technology and its immersive character. With Simone Conforti </td> </tr> </tbody> </table> <img src="/media/uploads/events/saison 2019-2020/studio 5/studio1.jpg" style="display: block; margin-left: auto; margin-right: auto;" width="1200" height="434" />Studio 1 © Ircam-Centre Pompidou, photo  : Philippe Barbosa <h3>Studio 2  | Discover Computer Music</h3> <table> <tbody> <tr> <td style="width: 100px; vertical-align: top;"> 3pm & 4pm </td> <td> Sound Synthesis Analysis of a sound or a voice, manipulation of additive synthesis... With Jean Lochard </td> </tr> <tr> <td style="vertical-align: top;">4:30pm & 5:15pm</td> <td> Modalys Presentation and handling of a sound processing program for creating virtual instruments With Jean Lochard </td> </tr> </tbody> </table> <h3> Studio 3 | Listening Sessions</h3> <table> <tbody> <tr> <td style="width: 100px; vertical-align: top;"> Non-Stop </td> <td> Listening Sessions: Electroacoustic Miniatures by Cursus Students Discover 10 electronic compositions by composers in the Cursus program. These compositions were written as part of IRCAM’s Cursus Program on Composition and Computer Music. These electronic creations, the result of a pedagogical exercise, reveal the variety of sensibilities and musical worlds of each composer. Sketches by Sofia Avramidou, Oren Boneh, Kayla Cashetta, Fernando Manassero, Maxime Mantovani, Paul Ramage, Justina Repečkaitė, Ko Sahara, Claudia Jane Scroccaro, Antonio Tules </td> </tr> </tbody> </table> <h3><img src="/media/uploads/events/saison 2019-2020/studio 5/impro.jpg" style="margin-right: 10px;" width="480" height="361" /><img src="/media/uploads/events/saison 2019-2020/studio 5/impro2.jpg" width="480" height="361" /></h3> Session improvisation et électronique avec les étudiants du Cursus et les danseurs du Conservatoire national supérieur de musique et de danse de Paris, en studio à l'Ircam, janvier 2019 © Ircam-Centre Pompidou, photo : Déborah Lopatin <h3>Studio 5 | Encounter and concerts </h3> <table> <tbody> <tr> <td style="vertical-align: top;"> </td> <td>Compose, Perform, Teach Introduction by Philippe Langlois </td> </tr> <tr> <td style="width: 100px; vertical-align: top;"> 3pm </td> <td> Encounter: Creation of Sound Objects for Our Daily Lives With Arnaud Ouin, a graduate of DNSEP Design sonore de l’École supérieure d’art et de design Tours-Angers-Le Mans and Olivier Houix, researcher in the Sound Perception and Design team at IRCAM. Arnaud Ouin presents a set of small devices producing acoustic sounds with ordinary objects from our interiors. </td> </tr> <tr> <td style="vertical-align: top;"> 4pm </td> <td> Concert Kaija Saariaho, NoaNoa (1992), for flute and electronics Julie Godineau, flute IRCAM Computer Music Control Grégoire Lorieux The concert will be followed by a presentation of the work and a discussion on teaching mixed music. Facilitator: Grégoire Lorieux </td> </tr> <tr> <td style="vertical-align: top;"> 5pm </td> <td> Concert Adrien Trybucki, Rapides Diaprés (2019), for soprano and electronics Marie Soubestre, soprano At the end of the concert, a discussion will be held with the composer Adrien Trybucki, currently in production residence at IRCAM following his year as a student in the Cursus program. Facilitator: Grégoire Lorieux </td> </tr> </tbody> </table> <h3> Galerie</h3> Information desk for queries on IRCAM’s educational activities  Conserve and Transmit: IRCAM’s resources and documentation Throughout the afternoon, iPads will be available on which you can explore IRCAM’s documentary holdings. Accompanied by our documentalists, you will be able to access a broad range of resources: scores, audiovisual archives, and a database of works. <h2>Participants</h2> Department of Education, Cultural Outreach, and Documentation Team Philippe Langlois Director, Simone Conforti, Jean Lochard, Grégoire Lorieux, Mikhail Malt, Sébastien Naves Computer Music Desingers/Professors, Thierry De Mey Composer Associated with the Cursus Program, Murielle Ducas Pedagogical Coordiantion Manager, Sophie Chassard, Cyrielle Fiolet, Stéphanie Leroy Cutural Project Manager, Aurore Baudin, Jérôme Boutinot Hypermedia Librarians, Jean-Paul Rodrigues Library Technician With Arnaud Ouin a graduate of  DNSEP Design sonore de l’École supérieure d’art et de design Tours-Angers-Le Mans, Olivier Houix researcher in the <a href="https://www.ircam.fr/recherche/equipes-recherche/pds/">Sound Perception and Design</a> team at IRCAM-STMS, Julie Godineau flutist, Adrien Trybucki composer and Marie Soubestre soprano

A center for research and artistic creation, IRCAM is also a unique venue for the transmission of knowledge and practices. Discover the institute’s educational activities via concerts, listening sessions, and the presentation of inventive sound objects. Meet young composers and performers, take part in short software demos of software designed at IRCAM.

Program

Studio 1 | Demonstration

3:30pm & 4:30pm

Ambisonic Dome: Understand the Issues Surrounding a Sound Spatialization System
Through an "ambisonic" diffusion system we rediscover how we perceive the world. We understand the power of the perceptive processes of hearing which makes us "feel", "hear", "listen" to our environment. In the hands of creators—composers in this case—it becomes an instrument used to designs space. A few examples will illustrate this sound projection technology and its immersive character.
With Simone Conforti

Studio 1 © Ircam-Centre Pompidou, photo : Philippe Barbosa

Studio 2 | Discover Computer Music

3pm & 4pm	Sound Synthesis Analysis of a sound or a voice, manipulation of additive synthesis... With Jean Lochard
4:30pm & 5:15pm	Modalys Presentation and handling of a sound processing program for creating virtual instruments With Jean Lochard

Studio 3 | Listening Sessions

Non-Stop

Listening Sessions: Electroacoustic Miniatures by Cursus Students
Discover 10 electronic compositions by composers in the Cursus program. These compositions were written as part of IRCAM’s Cursus Program on Composition and Computer Music. These electronic creations, the result of a pedagogical exercise, reveal the variety of sensibilities and musical worlds of each composer.

Sketches by Sofia Avramidou, Oren Boneh, Kayla Cashetta, Fernando Manassero, Maxime Mantovani, Paul Ramage, Justina Repečkaitė, Ko Sahara, Claudia Jane Scroccaro, Antonio Tules

Session improvisation et électronique avec les étudiants du Cursus et les danseurs du Conservatoire national supérieur de musique et de danse de Paris, en studio à l'Ircam, janvier 2019 © Ircam-Centre Pompidou, photo : Déborah Lopatin

Studio 5 | Encounter and concerts

	Compose, Perform, Teach Introduction by Philippe Langlois
3pm	Encounter: Creation of Sound Objects for Our Daily Lives With Arnaud Ouin, a graduate of DNSEP Design sonore de l’École supérieure d’art et de design Tours-Angers-Le Mans and Olivier Houix, researcher in the Sound Perception and Design team at IRCAM. Arnaud Ouin presents a set of small devices producing acoustic sounds with ordinary objects from our interiors.
4pm	Concert Kaija Saariaho, NoaNoa (1992), for flute and electronics Julie Godineau, flute IRCAM Computer Music Control Grégoire Lorieux The concert will be followed by a presentation of the work and a discussion on teaching mixed music. Facilitator: Grégoire Lorieux
5pm	Concert Adrien Trybucki, Rapides Diaprés (2019), for soprano and electronics Marie Soubestre, soprano At the end of the concert, a discussion will be held with the composer Adrien Trybucki, currently in production residence at IRCAM following his year as a student in the Cursus program. Facilitator: Grégoire Lorieux

Galerie

Information desk for queries on IRCAM’s educational activities

Conserve and Transmit: IRCAM’s resources and documentation
Throughout the afternoon, iPads will be available on which you can explore IRCAM’s documentary holdings. Accompanied by our documentalists, you will be able to access a broad range of resources: scores, audiovisual archives, and a database of works.

Participants

Department of Education, Cultural Outreach, and Documentation Team
Philippe Langlois Director, Simone Conforti, Jean Lochard, Grégoire Lorieux, Mikhail Malt, Sébastien Naves Computer Music Desingers/Professors, Thierry De Mey Composer Associated with the Cursus Program, Murielle Ducas Pedagogical Coordiantion Manager, Sophie Chassard, Cyrielle Fiolet, Stéphanie Leroy Cutural Project Manager, Aurore Baudin, Jérôme Boutinot Hypermedia Librarians, Jean-Paul Rodrigues Library Technician

With Arnaud Ouin a graduate of DNSEP Design sonore de l’École supérieure d’art et de design Tours-Angers-Le Mans, Olivier Houix researcher in the Sound Perception and Design team at IRCAM-STMS, Julie Godineau flutist, Adrien Trybucki composer and Marie Soubestre soprano

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