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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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    • Ircam Amplify
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  • Studio 5, Live








Sat 1 February 2020,
3 p.m.- 6 p.m.
Ircam
Downloads

prg_studio5_pedagogie.pdf

Prices

Free Entry

Free entry, limited seats available.

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Transmission
Encounter






Studio 5, Live

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Study at IRCAM
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A center for research and artistic creation, IRCAM is also a unique venue for the transmission of knowledge and practices. Discover the institute’s educational activities via concerts, listening sessions, and the presentation of inventive sound objects. Meet young composers and performers, take part in short software demos of software designed at IRCAM.

Program

Studio 1  | Demonstration

3:30pm & 4:30pm

Ambisonic Dome: Understand the Issues Surrounding a Sound Spatialization System
Through an "ambisonic" diffusion system we rediscover how we perceive the world. We understand the power of the perceptive processes of hearing which makes us "feel", "hear", "listen" to our environment. In the hands of creators—composers in this case—it becomes an instrument used to designs space. A few examples will illustrate this sound projection technology and its immersive character.
With Simone Conforti

Studio 1 © Ircam-Centre Pompidou, photo  : Philippe Barbosa

Studio 2  | Discover Computer Music

3pm & 4pm


Sound Synthesis
Analysis of a sound or a voice, manipulation of additive synthesis...
With Jean Lochard

4:30pm & 5:15pm

Modalys
Presentation and handling of a sound processing program for creating virtual instruments
With Jean Lochard


Studio 3 | Listening Sessions

Non-Stop

Listening Sessions: Electroacoustic Miniatures by Cursus Students
Discover 10 electronic compositions by composers in the Cursus program. These compositions were written as part of IRCAM’s Cursus Program on Composition and Computer Music. These electronic creations, the result of a pedagogical exercise, reveal the variety of sensibilities and musical worlds of each composer.

Sketches by Sofia Avramidou, Oren Boneh, Kayla Cashetta, Fernando Manassero, Maxime Mantovani, Paul Ramage, Justina Repečkaitė, Ko Sahara, Claudia Jane Scroccaro, Antonio Tules

Session improvisation et électronique avec les étudiants du Cursus et les danseurs du Conservatoire national supérieur de musique et de danse de Paris, en studio à l'Ircam, janvier 2019 © Ircam-Centre Pompidou, photo : Déborah Lopatin

Studio 5 | Encounter and concerts

Compose, Perform, Teach

Introduction by Philippe Langlois

3pm

Encounter: Creation of Sound Objects for Our Daily Lives
With Arnaud Ouin, a graduate of DNSEP Design sonore de l’École supérieure d’art et de design Tours-Angers-Le Mans and Olivier Houix, researcher in the Sound Perception and Design team at IRCAM. Arnaud Ouin presents a set of small devices producing acoustic sounds with ordinary objects from our interiors.

4pm

Concert
Kaija Saariaho, NoaNoa (1992), for flute and electronics
Julie Godineau, flute
IRCAM Computer Music Control Grégoire Lorieux
The concert will be followed by a presentation of the work and a discussion on teaching mixed music. Facilitator: Grégoire Lorieux

5pm

Concert
Adrien Trybucki, Rapides Diaprés (2019), for soprano and electronics
Marie Soubestre, soprano
At the end of the concert, a discussion will be held with the composer Adrien Trybucki, currently in production residence at IRCAM following his year as a student in the Cursus program. Facilitator: Grégoire Lorieux


Galerie

Information desk for queries on IRCAM’s educational activities 

Conserve and Transmit: IRCAM’s resources and documentation
Throughout the afternoon, iPads will be available on which you can explore IRCAM’s documentary holdings. Accompanied by our documentalists, you will be able to access a broad range of resources: scores, audiovisual archives, and a database of works.

Participants

Department of Education, Cultural Outreach, and Documentation Team
Philippe Langlois Director, Simone Conforti, Jean Lochard, Grégoire Lorieux, Mikhail Malt, Sébastien Naves Computer Music Desingers/Professors, Thierry De Mey Composer Associated with the Cursus Program, Murielle Ducas Pedagogical Coordiantion Manager, Sophie Chassard, Cyrielle Fiolet, Stéphanie Leroy Cutural Project Manager, Aurore Baudin, Jérôme Boutinot Hypermedia Librarians, Jean-Paul Rodrigues Library Technician

With Arnaud Ouin a graduate of  DNSEP Design sonore de l’École supérieure d’art et de design Tours-Angers-Le Mans, Olivier Houix researcher in the Sound Perception and Design team at IRCAM-STMS, Julie Godineau flutist, Adrien Trybucki composer and Marie Soubestre soprano

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