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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Spectral 1








Wed 12 June 2019,
8:30 p.m.
Centre Pompidou
Grande salle
Downloads

programme_spectral_1.pdf

Prices

Full : 18 €
Discount Price : 14 €
ManiFeste & Young Cards : 10 €

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Creation
Concert






Spectral 1

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Spectralism has had important ramifications outside of France. In Italy, Fausto Romitelli carried out a unique hybridization between the psychedelic horizon of rock and the conceptual rigor of his composition. Kaija Saariaho, born in Finland, forged her “timbral axe” by including harmonic and formal organization. Fitting squarely in the experimental American movement, James Tenney’s music focuses the listener’s attention on a continual phenomenon over a dilated time span—his work is at home in an unconventional setting like the Forum at the Centre Pompdiou. The premiere presented in this concert, that of the Iranian composer Sina Fallahzadeh, is inspired by the myth of Gilgamesh. Vocal metamorphosis, morphing is at the heart of Metanoïa: a search for an imaginary archaic language in a unified form.

Élise Chauvin soprano
Mathieu Dubroca baryton
Julie Brunet-Jailly flute
L’Itinéraire
Mathieu Romano conductor
Serge Lemouton, Laurent Pottier IRCAM computer music design

KAIJA SAARIAHO TERRESTRE
SINA FALLAHZADEH METANOÏA, commissioned by IRCAM-Centre Pompidou, premiere 2019
FAUSTO ROMITELLI ENTRANCE
JAMES TENNEY IN A LARGE OPEN SPACE

Edit
An IRCAM/Les Spectacles vivants-Centre Pompidou, L’Itinéraire coproduction.
  • Sina Fallahzadeh  None
    Sina Fallahzadeh
  • Kaija Saariaho  © Priska Ketterer
    Kaija Saariaho © Priska Ketterer
  • L'itinéraire  © Pierre Gondard
    L'itinéraire © Pierre Gondard

More

  • Your browser does not support the video tag.
    3 reasons to go to Spectral 1: Interview with Sinah Fallahzadeh (in french)
  • Your browser does not support the video tag.
    Trailer "The next events at the Centre Pompidou"
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