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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
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    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Spectral 1








Wed 12 June 2019,
8:30 p.m.
Centre Pompidou
Grande salle
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programme_spectral_1.pdf

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Full : 18 €
Discount Price : 14 €
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Creation
Concert






Spectral 1

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Spectralism has had important ramifications outside of France. In Italy, Fausto Romitelli carried out a unique hybridization between the psychedelic horizon of rock and the conceptual rigor of his composition. Kaija Saariaho, born in Finland, forged her “timbral axe” by including harmonic and formal organization. Fitting squarely in the experimental American movement, James Tenney’s music focuses the listener’s attention on a continual phenomenon over a dilated time span—his work is at home in an unconventional setting like the Forum at the Centre Pompdiou. The premiere presented in this concert, that of the Iranian composer Sina Fallahzadeh, is inspired by the myth of Gilgamesh. Vocal metamorphosis, morphing is at the heart of Metanoïa: a search for an imaginary archaic language in a unified form.

Élise Chauvin soprano
Mathieu Dubroca baryton
Julie Brunet-Jailly flute
L’Itinéraire
Mathieu Romano conductor
Serge Lemouton, Laurent Pottier IRCAM computer music design

KAIJA SAARIAHO TERRESTRE
SINA FALLAHZADEH METANOÏA, commissioned by IRCAM-Centre Pompidou, premiere 2019
FAUSTO ROMITELLI ENTRANCE
JAMES TENNEY IN A LARGE OPEN SPACE

Edit
An IRCAM/Les Spectacles vivants-Centre Pompidou, L’Itinéraire coproduction.
  • Sina Fallahzadeh  None
    Sina Fallahzadeh
  • Kaija Saariaho  © Priska Ketterer
    Kaija Saariaho © Priska Ketterer
  • L'itinéraire  © Pierre Gondard
    L'itinéraire © Pierre Gondard

More

  • Your browser does not support the video tag.
    3 reasons to go to Spectral 1: Interview with Sinah Fallahzadeh (in french)
  • Your browser does not support the video tag.
    Trailer "The next events at the Centre Pompidou"
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