• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Taipei - Bornéo








Thu 30 March 2023,
7 p.m., 8:30 p.m.,
Fri 31 March 2023,
7 p.m., 8:30 p.m.,
Sat 1 April 2023,
3 p.m., 4:30 p.m.,
6 p.m.
Ircam
Espace de projection
Prices

Free entry, limited seats available

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Free entry

Creation
Installation






Taipei - Bornéo

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Sound creations by LuxuryLogico x Andrea Cera and David Monacchi
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The Insomnia Sketchbook

This insomnia sketchbook is an installation imagined by the Taiwanese collective LuxuryLogico with Andrea Cera for the electronics. Symbolizing flashes of consciousness, states between wakefulness and sleep, auditory hallucinations, balls of light draw paths in the darkness. The immaterial is carried by a very material, motorized structure. This engineering challenge is matched by the compositional challenge: to imagine a music of affects - aggressions and reactions, rage, fear or depression in which the installation's poetry, without a human component, manifests itself. To listen—with eyes wide open—to what the light reveals, little by little, of the machinery: a theater of attention and tension.

Sonic and visual performance - French Premiere
Collectif LuxuryLogico and Andrea Cera
Thomas Goepfer computer music design IRCAM
Clément Cerles Sound diffusion IRCAM

With the support of Centre culturel de Taïwan à Paris, Ministry of Culture Taiwan (R.O.C.).

Paleoscapes - Borneo 2023

The soundscapes of remote natural habitats are outstanding footprints of the systemic behavior of healthy ecosystems. Yet today, at the beginning of the current extinction crisis, the ‘paleo-choirs’ of the natural world are undergoing silent but real and lasting damage. The sonic structures that evolution produced over millions of years of interspecific acoustic adaptation are rapidly declining; within the near future, it may not be possible to witness them at all, in their original form. Fragments of Extinction, an interdisciplinary project founded and led by Italian eco-acoustic composer David Monacchi, is collecting, studying, and disseminating hi-definition 24-hour sound portraits of the world’s undisturbed primary equatorial forests, advocating for the importance of taking them as object of protection and heritagization.

Since 1998, the author and his team have conducted field recording expeditions in equatorial regions in Amazon, Africa and South-east Asia, where large areas of untouched and undisturbed rainforest are still present. This fieldwork has required the implementation of advanced microphone technologies for sampling the rainforest’s spatial features, pioneering for the first time the recording of high-order Ambisonics spherical soundfields in these remote, humid environments. The last expedition was carried out in early 2023 in possibly the oldest rainforest ecosystems on Earth (North-east Borneo in Maliau Basin and Danum Valley). It resulted in 64+32 simultaneous tracks of 24-continuous audio data describing entire circadian cycles with unprecedented acoustic 3D definition, now available for scientific investigation, permanent archiving and public playback in full-periphonic loudspeakers arrays.

David Monacchi Paleoscapes - Borneo 2023 - Premiere 2023

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The Insomnia Sketchbook : Coproduction Ircam-Centre Pompidou, Taïwan Sound Lab – C-LAB
  • David Monacchi, Bornéo 2023  None
    David Monacchi, Bornéo 2023
  • Le collectif LuxuryLogico  © LuxuryLogico
    Le collectif LuxuryLogico © LuxuryLogico
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