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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Sound Design Days








November 28 through Fri 29 November 2019,
10 a.m.- 6 p.m.
Ircam
salle Stravinsky
Downloads

prg_sounddesigndays.pdf

Free, registration required

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Research
Encounter






Sound Design Days

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Sound Design Days inaugurate a format of meetings designed to promote and federate a sound design community. They will provide an opportunity to create a space for exchange for the actors of sound design and to reflect on its theoretical, practical and technological challenges. This first edition (number 0) will attempt examine the discipline by drawing on the results of the research project "Analysis of Sound Design Practices" (APDS) and will focus on one of its most extensive fields of practice: sound design in cinema.

Organization
Nicolas Misdariis, head of the Perception and Sound Design IRCAM-STMS, Nicolas Obin, researcher,  Sound Analysis-Synthesis team Sorbonne Université-STMS and Nicolas Donin, head of the Analysis of Musical Practices team IRCAM-STMS

Edit
Partners: project APDS (Labex CAP), project TheVoice (ANR)

Jeudi 28 novembre : À la recherche du design sonore

9h45 - 10h00

Accueil & intro

10h00 – 12h30

Cartographier le design sonore ?

    10h00 – 10h30

Pratiques et praticiens : résultats de recherche
Laura Zattra, chercheuse en musicologie

    10h30 – 11h00

Tentative de définition(s)
Frank Pecquet, maître de conférences
Nicolas Donin, responsable de l'équipe Analyse des pratiques musicales, Ircam-STMS
Nicolas Misdariis, responsable de l'équipe Perception et design sonore Ircam-STMS

    11h00 – 11h15

Pause café

    11h15 – 12h30

Table ronde : Expériences et réflexions croisées sur le design sonore
modérateur Jean-Paul Fourmentraux, docteur en sociologie
avec Cécile Regnault, architecte (docteure), enseignante (Lyon Architecture Urbanisme REcherche)
Jean Dindinaud, producteur et fondateur du Studio Chez Jean
Juliette Volcler, chercheuse indépendante, autrice et critique sonore
Alain Richon, designer sonore, compositeur (Life Design Sonore)

12h30 -14h00

Déjeuner

14h00 - 15h30

Entretiens live

    14h00 – 14h30Roland Cahen, compositeur, designer sonore, enseignant, chercheur (Ensci - Les Ateliers / Centre de Recherche en Design - ENS Paris Saclay)
Entretien avec Laura Zattra
    14h30 – 15h00Saran Diakité Kaba, SVP R&D & Interactive Design Director (PSA Peugeot-Citroen)
Entretien avec Nicolas Misdariis
    15h00 – 15h15

Synthèse des échanges par Nicolas Donin

    15h15 – 15h30

Pause café

15h30 - 18h30

Design + son = Design sonore ?

    15h30 – 16h00Objet + son
Simon Cacheux, designer sonore indépendant
    16h00 – 16h30Média + son
David Christoffel, production radio et créateur sonore
    16h30 - 17h00Espace + son
Grégoire Chelkoff, professeur et docteur en art et archéologie-urbanisme et aménagement
    17h00 - 18h30

Table ronde : Intégration du design sonore dans le champ du design (et des arts)
modératrice Claire Fayolle, journaliste, enseignante (École Nationale Supérieure d'Art et de Design de Nancy)
avec Zoé Aegerter, designer indépendante
Cécile Planchais, designer indépendante
Pauline Desgrandchamp, designer / scénographe sonore, chercheuse (Laboratoire ACCRA)
Ludovic Germain, designer sonore (LAPS), enseignant (École supérieure d'art et de design - Tours Angers Le Mans)

18h30 - 20h30

Cocktail / Afterwork


Vendredi 29 novembre : Le design sonore au cinéma

9h45 - 10h00

Accueil & intro

10h00 – 11h00

Le Son de la Science-Fiction

Nicolas Becker, designer sonore

11h00 - 11h15

Pause café

11h15 - 13h15

Ateliers démos

Ircam TS
Pierre Guillot, développeur Ircam
Ircam Modalys
Jean Lochard, réalisateur en informatique musicale Ircam
Ircam SkataRT
Olivier Houix, chercheur au sein de l'équipe Perception et design sonore Ircam-STMS
Le Sound
Flux::
NoiseMakers

12h00 - 13h30

Déjeuner

13h30 - 15h25

De HAL à HER... : la voix fait son cinéma

    13h30 - 13h45Introduction
Philippe Langlois, directeur de la pédagogie, de l’action culturelle et de la documentation à l'Ircam
    13h45 - 14h15Sculpter la voix : algorithmes, IA, et création
Nicolas Obin, enseignant-chercheur Ircam-STMS
    14h15 - 14h45La voix des machines
Guillaume Bouchateau, ingénieur du son
    14h45 - 15h25Le comédien et sa voix
Denis Lavant, comédien
    15h25 - 15h40

Pause café

15h40 - 17h30

Le sound design à l'image : pratiques et techniques

    15h40 - 16h00Petite histoire du sound design dans le cinéma américain, de Walter Murch à Gary Rydstrom
Chloé Huvet, enseignante-chercheuse (ENS Lyon)
    16h00 - 16h30Le son au cinéma, une conception naturaliste
Valérie Deloof, monteuse son
    16h30 - 17h00Designing Sound in Video Games
Tim Summers, maître de conférences (département Musique, Royal Holloway, université de Londres)
    17h00 - 17h30

Le son à l’image : une histoire d’émotions et d’instinct
Séverin Favriau, ingénieur du son, designer sonore et compositeur

sessions animées par Chloé Huvet

17h30 - 18h00

Conclusion & Horizon

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