Soirée du Cursus

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This concert is dedicated to the memory of Éric Daubresse. Computer music designer, professor, and composer, he taught computer music to young composers in the Cursus program and accompanied several of them in the realization of the computer-music facet of their works.   This concert presents the final works produced by the composers in the Cursus program on computer music. The professor associated with the program, Thierry De Mey, encouraged a broad range of formats, aesthetic and technological approaches making this eagerly awaited date a veritable wonder cabinet: the use of sign language and machine learning, pantomime, introduction to the viola da gamba, dance, video, concentration on instruments—the bass, the clarinet, or the voice articulated with electronics… For each adventure, the students—musicians or dancers—from the Conservatoire de Paris offered their assistance to the composers Musicians and dancers from the Conservatoire national supérieur de musique et de danse de Paris: Juliette Adam (clarinet), Marie Albert (dance), Nicolas Arsenijevic (saxophone), Benjamin Athanase (tenor), Mateo Lagiere (dance), Pierre Lison (danse), Sulivan Loiseau (double bass), Jacques Murat (contrabass trombone), Sumiko Hara (viola de gamba, out of conservatory), Rémy Reber (guitar, out of conservatory), Marie Soubestre (soprano) Musicians from the Haute école de musique de Genève: Nikolay Ivanov, Till Lingenberg (percussions), Ugo Reser (cello), William Thébaudeau-Müller (trombone) Thierry De Mey composer associated with the Cursus program Simone Conforti, Marco Liuni, Jean Lochard, Grégoire Lorieux, Mikhail Malt IRCAM educational advisors Sylvie Berthomé, Hae-Sun Kang, Tristan Manoukian, Conservatoire de Paris educational advisors FLORENT CARON DARRAS, MATHIEU CORAJOD, WILLIAM DOUGHERTY, LOUIS GOLDFORD, KONSTANTIN HEUER, WILLIAM KUO, JIALIN LIU, SERGIO NUÑEZ MENESES, ADRIEN TRYBUCKI, FRANCISCO UBERTO Premieres 2019

This concert is dedicated to the memory of Éric Daubresse. Computer music designer, professor, and composer, he taught computer music to young composers in the Cursus program and accompanied several of them in the realization of the computer-music facet of their works.

This concert presents the final works produced by the composers in the Cursus program on computer music. The professor associated with the program, Thierry De Mey, encouraged a broad range of formats, aesthetic and technological approaches making this eagerly awaited date a veritable wonder cabinet: the use of sign language and machine learning, pantomime, introduction to the viola da gamba, dance, video, concentration on instruments—the bass, the clarinet, or the voice articulated with electronics…

For each adventure, the students—musicians or dancers—from the Conservatoire de Paris offered their assistance to the composers

Musicians and dancers from the Conservatoire national supérieur de musique et de danse de Paris:
Juliette Adam (clarinet), Marie Albert (dance), Nicolas Arsenijevic (saxophone), Benjamin Athanase (tenor), Mateo Lagiere (dance), Pierre Lison (danse), Sulivan Loiseau (double bass), Jacques Murat (contrabass trombone), Sumiko Hara (viola de gamba, out of conservatory), Rémy Reber (guitar, out of conservatory), Marie Soubestre (soprano)

Musicians from the Haute école de musique de Genève:
Nikolay Ivanov, Till Lingenberg (percussions), Ugo Reser (cello), William Thébaudeau-Müller (trombone)

Thierry De Mey composer associated with the Cursus program
Simone Conforti, Marco Liuni, Jean Lochard, Grégoire Lorieux, Mikhail Malt IRCAM educational advisors
Sylvie Berthomé, Hae-Sun Kang, Tristan Manoukian, Conservatoire de Paris educational advisors

FLORENT CARON DARRAS, MATHIEU CORAJOD, WILLIAM DOUGHERTY, LOUIS GOLDFORD, KONSTANTIN HEUER, WILLIAM KUO, JIALIN LIU, SERGIO NUÑEZ MENESES, ADRIEN TRYBUCKI, FRANCISCO UBERTO Premieres 2019

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An IRCAM-Centre Pompidou production in collaboration with the Conservatoire national supérieur de musique et de danse de Paris and the Haute École de musique de Genève. With the support of the Sacem. IRCAM and the CENTQUATRE-PARIS are partners for experimental performance projects, and the Cité internationale des arts for the Cursus composers’ residencies.