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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
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    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
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    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
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    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
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    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Sheng! The Chinese mouth organ








Wed 17 April 2019,
2:30 p.m.- 5:30 p.m.
Ircam
salle Stravinsky

Free entry, limited seats available.

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Research
Seminar






Sheng! The Chinese mouth organ

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Multiples sounds, a multiple of music
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The sheng, or Chinese mouth organ, is a historical instrument which surprisingly lends itself to modernity, with a repertoire defined by both the traditional and the contemporary.  To welcome and encourage future works, we would first like to bring together a team of researchers, from France, Germany, Austria, China, Taiwan, and Japan, to investigate, within a project led by the Collegium Masicae Institute of Sorbonne Université, the historical background and different models of mouth-blown free reed instruments like the _shen_g, while exploring its repertoire, acoustical study, improvisational gestural analysis, fingering combinations, and notation.  Our research will be accompanied by a series of seminars.

Steering Team
Jean-Marc Chouvel (Sorbonne Université, IReMus), Pierre Couprie (Sorbonne Université, IReMus), Lin-Ni Liao (TPMC – IReMus), Mikhail Malt (IRCAM – IReMus), François Picard (Sorbonne Université, IReMus), Agnès Puissilieux (Institut Collegium Musicæ de Sorbonne Université)

Invited Researchers
Véronique Brindeau (Inalco/), René Caussé (IRCAM – STMS Lab), Seiko Suzuki (Inalco, Université Diderot/CRCAO)

Musicienne invitée
Li-Chin Li

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Organization: UMR STMS (IRCAM/CNRS/Sorbonne Université/Ministère de la culture), Institut Collegium Musicæ de Sorbonne Université, IReMus, TPMC

Upcoming seminars

Tuesdays 14:30-17:30
15 October 2019 , 19 November 2019 , 10 December 2019 , 14 January 2020 , 10 March 2020 , 12 May 2020

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