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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Sheng! The Chinese mouth organ








Wed 17 April 2019,
2:30 p.m.- 5:30 p.m.
Ircam
salle Stravinsky

Free entry, limited seats available.

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Research
Seminar






Sheng! The Chinese mouth organ

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Multiples sounds, a multiple of music
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The sheng, or Chinese mouth organ, is a historical instrument which surprisingly lends itself to modernity, with a repertoire defined by both the traditional and the contemporary.  To welcome and encourage future works, we would first like to bring together a team of researchers, from France, Germany, Austria, China, Taiwan, and Japan, to investigate, within a project led by the Collegium Masicae Institute of Sorbonne Université, the historical background and different models of mouth-blown free reed instruments like the _shen_g, while exploring its repertoire, acoustical study, improvisational gestural analysis, fingering combinations, and notation.  Our research will be accompanied by a series of seminars.

Steering Team
Jean-Marc Chouvel (Sorbonne Université, IReMus), Pierre Couprie (Sorbonne Université, IReMus), Lin-Ni Liao (TPMC – IReMus), Mikhail Malt (IRCAM – IReMus), François Picard (Sorbonne Université, IReMus), Agnès Puissilieux (Institut Collegium Musicæ de Sorbonne Université)

Invited Researchers
Véronique Brindeau (Inalco/), René Caussé (IRCAM – STMS Lab), Seiko Suzuki (Inalco, Université Diderot/CRCAO)

Musicienne invitée
Li-Chin Li

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Organization: UMR STMS (IRCAM/CNRS/Sorbonne Université/Ministère de la culture), Institut Collegium Musicæ de Sorbonne Université, IReMus, TPMC

Upcoming seminars

Tuesdays 14:30-17:30
15 October 2019 , 19 November 2019 , 10 December 2019 , 14 January 2020 , 10 March 2020 , 12 May 2020

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