In Sul Segno in 2004, Yan Maresz gave free reign to his passion for plucked strings that find their full resonant extension in the universe of electronics. Here, Maresz meets the harp again, but as a solo instrument, this time an "augmented" instrument; an instrument physically modified through its coupling with an integrated digital real-time system that exploits the instrument's acoustic radiation without the addition of any loudspeakers.
ALBERTO GINASTERA VARIATIONS CONCERTANTES OP.23
YAN MARESZ RÉPLIQUES pour harpe augmentée et orchestre
BÉLÀ BARTOK CONCERTO POUR ORCHESTRE
Nicolas Tulliez Harp
Strasbourg Philharmonic Orchestra
Marko Letonja Conductor
Thomas Goepfer IRCAM Computer Music Design