• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • REACHing OUT !








Wed 8 May 2024,
8 p.m.- 8 p.m.
Friche La Belle de Mai, Marseille
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Creation
Concert






REACHing OUT !

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 As part of the Propagations Festival and the JIM 2024

The REACHing OUT! concerts celebrate the most jubilant improvisation around the world, featuring the great double bassist Joëlle Léandre, accompanied by her compatriots the Who/Men, musician-researchers with their machines doped with generative AI algorithms, and guest musicians for each new edition. The REACH research and creation program behind this new form of performance formulates the hypothesis of co-creativity between the players in these improvised interactions incorporating machines, as a kind of mixed reality: building an ever-renewed musical form, emerging from co-constructed sound material that is both unpredictable and controlled, from the rustle of a wing to a volcanic explosion.

What if human and machine were to dream of each other, hybridizing human creative energy with cross-listening and cross-learning processes and their feedback loops, in pure pleasure?

György Kurtág Jr. synthesizers and electronics
Jean-Marc Montera guitars, analog electronics
Turner Williams Jr. shahi baaja, analog electronics
Joëlle Léandre double bass/vocals
The Who/Men composed of
Gérard Assayag, Mikhail Malt, Marco Fiorini Somax2 generative electronics

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  • https://gmem.org/festival-propagations/programmation/reaching-out-a2b1223f
Coproduction Ircam — Centre Pompidou & GMEM. With the support and the technologies of the ERC project REACH (Raising co-creativity in cyber-human Musicianship, dir. Gérard Assayag) in the framework of the European Union’s research an innovation program Horizon 2020 (convention #883313). As part of the JIM*2024 (*Journées d'Informatique Musicale) organized by AFIM (Association Française d'Informatique Musicale) and supported by the DGCA (Direction Générale de la Création Artistique).
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