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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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  • Projection de films : Pierre Boulez








Wed 11 June 2025,
6:30 p.m., Mon 23 June 2025,
6:30 p.m., Sat 28 June 2025,
5 p.m.
Ircam
salle Stravinsky
Prices

Free entry, limited seats available

Duration of each session: approximately 1 hour
Films shown in French, no subtitles

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Transmission
Cinema






Projection de films : Pierre Boulez

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The audiovisual resources of IRCAM contain numerous documents related to major works that came into being within the institute. On the occasion of the 100th anniversary of Pierre Boulez’s birth in 2025, ManiFeste is offering, alongside its main programming, a selection of films to document the creative context of his major work, Répons, through films by Olivier Mille, Georges Zenatti, and Robert Cahen.

Program

Wednesday, June 11, 6:30pm

Musique en temps réel : autour de Pierre Boulez (lit. Real-Time Music: Focus On Pierre Boulez) by Olivier Mille
Rehearsals of Dialogue de l'ombre double and Répons, filmed in the Gallet quarry in Avignon. Featuring the voices of Pierre Boulez, Andrew Gerzso, Philippe Albera. 29 minutes, 1988

Écoutez votre siècle 9 : Répons, genèse d'une œuvre (lit. Listen to Your Century 9: Répons, Genesis of a Work) by Georges Zenatti
Interviews with Pierre Boulez conducted by Dominique Jameux, musicologist at IRCAM and at the National Museum of Modern Art at the Centre Pompidou. 26 minutes, 1984

Monday, June 23, 6:30pm

Pierre Boulez : Naissance d'un geste (lit. Pierre Boulez: Birth of a Gesture) by Olivier Mille
Orchestral conducting course with Pierre Boulez. 55 minutes, 1989

Saturday, June 28, 5pm

La Symphonie mécanique (The Mechanical Symphony) — restored version by Jean Mitry 11 minutes, 1955

Boulez – Répons by Robert Cahen
Répons by Pierre Boulez, a work for six soloists, instrumental ensemble, and electroacoustic setup, premiered in 1981. Robert Cahen films the musicians of the Ensemble intercontemporain, adds waves, foliage, and reworks this visual material. He cuts, slows down, multiplies, bursts the image apart, creating a fantastical universe that emphasizes the timeless and almost impressionistic quality of the music. 42 minutes, 1985

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  • Projection de films, Pierre Boulez - site ManiFeste
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