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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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    • Ircam Amplify
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  • Small Tragic Breviary for Human Animals of the 21st Century [Postponed]








Fri 19 March 2021,
8 p.m., Sat 20 March 2021,
6 p.m., Sun 21 March 2021,
4 p.m., Mon 22 March 2021,
8 p.m.
Studio-Théâtre de Vitry
Edit
Creation
Théâtre






Small Tragic Breviary for Human Animals of the 21st Century [Postponed]

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"Small Tragic Breviary for Human Animals of the 21st Century" - Premiere 2021
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There's a lot of hustle and bustle at the man/animal border crossing. There are some who push to raise the barriers, to rush with open arms into the land of animals; how far will they go, beyond the land of the mammals? Others advocate keeping the border closed on the grounds that we are animals, but still... Culturally very distant from his closest cousin, the chimpanzee, Sapiens cannot escape the trouble of this kinship. What can the theater do in this mess? Which experiment can it invite to? Jean-François Peyret, who wrote the Traité des forms with Alain Prochiantz nearly 20 years ago, launched his Petit bréviairetragique in 2020 with artists and researchers close to him, young actors and musicians. An experiment, a matter of transmission, and inheritance without a will.

Jean-François Peyret conception and staging
Alexandros Markeas music
Maëlla-Mickaëlla Maréchal video
Niki Rieti
scenography
Gwenhoel scenography collaboration
Manuel Poletti IRCAM computer music design

With Marie-Lis Cabrières, Elphège Kongombé Yamalé, Leah Lapiower and Anthony Moudir
Juliette Adam bass clarinet
Francois Vallet percussions
Ming Yu Weng percussions

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Production Studio-Théâtre de Vitry ; tf2 - Compagnie Jean-François Peyret | Coproduction IRCAM-Centre Pompidou ; MC93-Maison de la Culture de Seine-Saint-Denis
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