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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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Fri 23 June 2023,
8 p.m.
Maison de la radio et de la musique
Studio 104
Downloads

prg-oprf.pdf

Prices

Full (cat 1) : 26 €
Pass ManiFeste (cat 1) : 22 €
Full price (cat 2) : 10 €
Youth Pass (cat 1/2) : 10 €

Duration:  around 1h30  without interlude

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Creation
Concert






Orchestre Philarmonique de Radio France

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Festival ManiFeste 2023
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Second appearance of Varèse's plethoric orchestra in ManiFeste: Arcana, an exhilarating, incantatory, modern and archaic work. Its shadow on today's music is immense but its performances remain exceptional because of the forces required. Two generations of female composers cohabit with Varèse: the young Iranian Aida Shirazi, who completed her studies at IRCAM, and the English artist Rebecca Saunders, who has imagined a concerto grosso with the Ensemble intercontemporain.

Wound builds on an earlier work, Scar, to expand its expressive possibilities. "If you start with a scar and reopen it, you make a new and bloodier wound. Wound is not about healing, but releases acoustic images, states of great density, a space of acoustic, metaphorical, and most importantly, real freedom.

Ensemble intercontemporain Orchestre Philharmonique de Radio France
Pascal Rophé direction
Étienne Démoulin IRCAM electronics
Luca Bagnoli IRCAM sound diffusion


Rebecca Saunders Wound, commissioned by Ernst von Siemens Music Foundation, Orchestre de la Suisse romande, Ensemble intercontemporain, Casa da Música and Radio France - French Premiere
Aida Shirazi T   O     R             N, commissioned by IRCAM-Centre Pompidou and Radio France – Premiere 2023
Edgard Varèse Arcana

Concert recorded by France Musique.

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  • https://www.maisondelaradioetdelamusique.fr/
  • https://manifeste2023.ircam.fr/en/
Ircam-Centre Pompidou and Radio France coproduction
  • Ensemble intercontemporain  © Ensemble intercontemporain
    Ensemble intercontemporain © Ensemble intercontemporain
  • L'Orchestre Philarmonique de Radio France  © Christophe Abramowitz / Radio France
    L'Orchestre Philarmonique de Radio France © Christophe Abramowitz / Radio France
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